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You're a prime time builder though....I just finished lowering the nut and saddle, it's just about right now. Since this is my first real fretless in a long time, I'm still figuring out technique and stuff. So far, a short slide up to the note, ending with a rocking of the finger, vibrato, seems to get some mwah. For me, this is almost an entirely new instrument. It may be a while before I'm ready for prime time.
For the most part, I would agree...In my experience mwah is as much technique as it is a quality of the instrument
Holy moly....Where'd you get those from?....Well now I won't have to order strings for a while as I have 100 individuals, from .025 to .140 gauge.
Holy moly....Where'd you get those from?....
Love the case...
Oooh....Yeah!....Id make a triangular TRC that mimics the V of the tuners. If you have the patience to make it out of matching aligned laminates, that would be The Bomb!
For the most part, I would agree...
However, on my first fretless... I noticed that AFTER I coated the fingerboard with CA, and just normal fingering ( without any lateral vibrato technique)...I was hearing not so much "mwah"...as a general fretless-y "blossoming" of the note. A characteristic that was not apparent on the raw board.
This is why I am a big proponent of coating fretless boards .... if a lot o' mwah is desired.
But of course the type of fb wood has a lot to do with it too.
So in general.... my thought is... the smoother the board, (less surface defects, like open grain)... the better the blossom or mwwaahhh.
But also... it is mostly picked up or intensified ...closer to the bridge.
So there's that.