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Double Bass Would you let anyone sign your upright?

The bass maybe not, unless I would have an opportunity to be with 10 or 20 great bassists/musicians, or more.

One signature would look off. If I did it, I would make sure to take a picture of the artist signing the bass.


Maybe I would bring a cheap bridge and have him sign it. Or better yet, a songbook, if the artist has one.
 
Maybe I would bring a cheap bridge and have him sign it. Or better yet, a songbook, if the artist has one.

At a banjo camp, I saw one guy who had a new banjo head, and he was collecting a ton of impressive sigs from the faculty. Looked like it would make a neat wall hanger.

Yeah, probably better to purchase and have him sign any merch available.
 
I feel fine about an icon like Reggie signing it. One of the more obscure free improvisors I admire might not make sense. As far value - the value of someone not wanting a bass signed & played by Reggie Workman not buying my bass is priceless. I'd imagine it adds to value of my bass instead of detracts. It is a great sounding carved factory bass, the sort of bass favored by jazz players and improvisors, not a classical players.
There a just a few left where that is case. Ron Carter and few other would up the value of a bass to most people.
 
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I wish! I just did a workshop and lent him my bass to play in Trio 3!
He’s on the faculty at my school and whenever I see him in the hallway or on the elevator I sort of jump out of my skin a little bit. I’ve never studied with him or been in one of his ensembles. But when I see him I feel like I’m looking into a Blue Note album cover. And I think to myself “that dude played with Coltrane”. He’s over 90 now. And a real sweetheart. Hopefully I get to work with him in my final two semesters starting in September.
 
No, I would not. But then, I have no interest in any autograph. If I buy a CD or book, and the artist offers to sign, I decline. I tell them their work is signature enough.

Who is teaching at the workshop you are attending? I would hope they would refuse on the basis of not defacing someone else’s work, regardless of value.
 
I remember playing some old bass in the local shop that had spent some period of its life in a school, and thus was etched with all manner of initials from various students. I don't think that brought down the resale value much as I don't recall it being a cheap bass. The shop owner also said it was a favored rental by some prominent touring jazz bassists.
 
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First off, no.

When I lived in Cincinnati, Ed Felson had a German bass that had names and dates of, I assume, ownership/possession of the instrument, etched on the lower bout. At the top was the name and rank of a US soldier who has brought it back after the war. Ed said that eventually he was going to etch his name on it too. I thought that was pretty cool.