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The XLR will be a balanced output, which can be run back to the PA mixer without picking up hum, video buzz, etc. It may also be pre-eq. The mono jack is only OK for short (3-5 m?) connections to your local amp.Jontom said:The last pedal on my floorboard is a Sansamp BDDI(with both outs), Which is a better quality connection? My preamp has both ins...
On the sansamp, the XLR output is post preamp so any EQ-ing and overdrive effect is carried through. It also has two 1/4", jack oututs, one of which is effected. Don't use the one marked "parallel output" for recording because this one isn't effected.Mottlefeeder said:The XLR will be a balanced output, which can be run back to the PA mixer without picking up hum, video buzz, etc. It may also be pre-eq. The mono jack is only OK for short (3-5 m?) connections to your local amp.
Jontom said:The last pedal on my floorboard is a Sansamp BDDI(with both outs), Which is a better quality connection? My preamp has both ins...
IMO you will not hear any difference between the two for a short cable run. Jack leads are cheap, however, XLRs are stronger, and will lock in, which is one less connection to worry about when someone trips over your lead. Also, as I mentioned earlier, if you are anywhere near an induction loop, and you have kit on the floor (close to where they run the cables?) balanced is better.Jontom said:O.K. Let me whittle it down a little. My floorboard is about ten feet to my amp. My preamp has its own XLR D.I.(which I send a fully effected signal to the house through). From my floor board(on the floor) to my preamp(in my rack), which is going to deliver the cleanest/best signal? If you're stranded on a deserted island(five feet off of the mainland) what cable do you choose to send your S.O.S. through?!
Mottlefeeder said:Jack leads are cheap, however, XLRs are stronger, and will lock in, which is one less connection to worry about when someone trips over your lead.