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I am more tired of threads from slap haters, to be honest.
Yes, some people overdo it, but it's still a legit technique when used appropriately. That's it, there's not much more to say about the issue.
There is a bit of a stereotype that bass players must slap. I get all kinds of strange looks when someone (musician or not) at a show asks me to, quote, "slappa da bass" and I tell them I don't do that.
Personally, it's just not my cup of tea.
Not "hating", Nurb. I use the technique myself. But MANY of the people who overuse it, really aren't that good.
Anyone else tired of walking into a trade show or music store and hearing everyone trying out a bass banging away? Slap technique is a wonderful thing, but do we lean towards it a bit TOO much?
Yes, I can agree with that. Don't take what I said personally, it's just the fact that this topic comes up so often, it makes me a little grumpy.
So you've sited middle aged men and kids. How the heck did you come to those generalizations? I'm 57 and have nothing to prove to you, junior.Good slap is alright in my book, and on occasion I do hear good slap in a GC. Though most of the time it is a middle aged man or a punk kid in a fedora who thinks he's the next Marcus Miller, that bugs me because those are the people who think they have something to prove.
For me and probably a lot of people buying a bass based on it's ability to slap is like buying a screwdriver based on it's ability to open a paint can. It is a use, definitely not the main purpose.
Still, something is wrong when I get weird looks for trying out a bass using a simple-ish walking bass line.
Anyone else tired of walking into a trade show or music store and hearing everyone trying out a bass banging away? Slap technique is a wonderful thing, but do we lean towards it a bit TOO much?
Actually no. One of the reasons slap style is used so often to 'test' a rig is that it will put the maximum hurt on both an amp and a cabinet. The massive transient peak of a thumb hit will really uncover issues with a rig.
One of the primary criterion I use to evaluate a rig is if a thumb hit and the fingerstyle response sounds identical except for the initial attack. Often, that transient peak will kick in the limiting of the amp or immediately push a driver beyond xmax (mechanical capabilities), making the rig sound like there is a compressor turned up too much.
Also, slap style results in the most full range tone coming out of a bass... like the hammer hitting a piano string.
That being said, I don't go to trade shows or music stores to 'hear music', and I agree, lots of slippity/slappity hurts my ears after a few minutes. However, in the context of quickly evaluating a rig, it is a pretty useful tool
IMO and IME!
Edit: Regarding slap style in general, that is a different discussion, and yes, it does not seem to be a key part of the current pop or even funk music scene. I play 'current pop music', and probably slap a total of 10 minutes on a 4 hour gig, where a given song (for example, Katy Perry's 'California Gurls') specifically calls for it.