This all started when I decided that I needed a neck for a G & L L-2000 E. The original e-Bay clunker was equipped with a fretless conversion, and I just didn't find the incentive to really try to learn to play in the required "vibe" for fretless, and my band projects always turn pretty raw and rocking anyway. So I was looking at necks on eBay... they just aren't there. There's no "Stratosphere" for G & L.
The first one I found had a painted headstock that dind't match, so I let that one go. The second one was an ASAT bass neck from 1990, all unused. I made an offer that won me the neck. Now, the trouble was that the minty look of the neck did not go very well with the vintage checking on the body... so I kept looking. A few days later there was a parted-out SB-2 on the eBay and I BINed the neck. The "feng shui" on that neck was pretty good! So, what to do with the extra ASAT Bass neck?
I had to make a business trip to California even before either of these neks had arrived, and instead of doing the usual effects-box buying spree, I went to Gelb Music in Redwood CA and bought most of the required hardware for a Jazz project.
I now had the ASAT Bass neck, a Badass bridge, a Fender tortoise pickguard, CTS pots, Allparts control plate, and Seymour Duncan Hot Jazz pickups, alongside the little paraphernalia, see below.
I called my trusty luthier, Matti Nevalainen at the Finnish Guitar Works (FGW) and he assured me he had the perfect body for this project. Below, the burst needing the final coat and polish.
What I needed to do was quickly solder the electronics together.
I took the assembly and the rest of the parts to Matti and he will reshape the heel of the neck to make it fit the pocket (the neck has 21 frets so a lip needs to be made), and I will get the fully assembled bass on Tuesday.
Let's see if I can learn to play a Jazz.
The first one I found had a painted headstock that dind't match, so I let that one go. The second one was an ASAT bass neck from 1990, all unused. I made an offer that won me the neck. Now, the trouble was that the minty look of the neck did not go very well with the vintage checking on the body... so I kept looking. A few days later there was a parted-out SB-2 on the eBay and I BINed the neck. The "feng shui" on that neck was pretty good! So, what to do with the extra ASAT Bass neck?
I had to make a business trip to California even before either of these neks had arrived, and instead of doing the usual effects-box buying spree, I went to Gelb Music in Redwood CA and bought most of the required hardware for a Jazz project.
I now had the ASAT Bass neck, a Badass bridge, a Fender tortoise pickguard, CTS pots, Allparts control plate, and Seymour Duncan Hot Jazz pickups, alongside the little paraphernalia, see below.
I called my trusty luthier, Matti Nevalainen at the Finnish Guitar Works (FGW) and he assured me he had the perfect body for this project. Below, the burst needing the final coat and polish.
What I needed to do was quickly solder the electronics together.
I took the assembly and the rest of the parts to Matti and he will reshape the heel of the neck to make it fit the pocket (the neck has 21 frets so a lip needs to be made), and I will get the fully assembled bass on Tuesday.

Let's see if I can learn to play a Jazz.

Appointment with the luthier is in order.