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Mute Clamp Concept

Here is a drawing in response to an old thread about a simple bridge mute. In particular, a non-permanent, easy to apply/remove bridge mute.

I would like to make this. If anyone is interested in starting up a little project, let me know.

Anyone have a 3D printer? I can create a Solid works part for output...

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muteclamp.jpg

http://www.talkbass.com/forum/f8/clamp-bridge-mute-582298/
 
Great feedback!
Time to hit the drawing board again. I'll see if I can change it to meet your comments!

Tabdog - I was trying to make it super fast to put on and take off. I have found that sliding a foam pad underneath takes some time and adjusting. Maybe I'm just using the wrong foam density or foam size. Any experience with that?
 
I still like it.

How about something similar to a Roland pickup that has a lever like yours that raises and lowers? Maybe an adjustment for different heights or foam inserts of different thicknesses?

It's a great concept. True that most mutes are between body and strings, but your design may still work.
 
Here is a drawing in response to an old thread about a simple bridge mute. In particular, a non-permanent, easy to apply/remove bridge mute.

I would like to make this. If anyone is interested in starting up a little project, let me know.

Anyone have a 3D printer? I can create a Solid works part for output...

View attachment 305618

http://www.talkbass.com/forum/f8/clamp-bridge-mute-582298/

would using a clamp like that not make it act like a bridge and put out your intonation. the damp under the strings does not change the tuning.
I may be wrong as i have only tried the foam under the strings.
 
OKay, here is another shot at it - using a more conventional layout but may still be easy to remove. Probably easier to manufacture too - due to the lack of hinge assembly.

attachment.jpg


Good comment about intonation. I wonder how any muting above the bridge intonation point changes the intonation...
 

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I like the clip idea. I think it is upside down in your drawing, though - i wonder is the hinge should follow the gauge of the strings.

When a put a mute between the body and the strings, adjusting individual string mutes is important. With the clamp, i could probably angle it to get even sounding dampening.

I like it. Seems like a useful part of any bass player's bag of tricks. Currently, I use a wadded up piece of polar fleece.
 
Here is a drawing in response to an old thread about a simple bridge mute. In particular, a non-permanent, easy to apply/remove bridge mute.

I would like to make this. If anyone is interested in starting up a little project, let me know.

Anyone have a 3D printer? I can create a Solid works part for output...

View attachment 305618

http://www.talkbass.com/forum/f8/clamp-bridge-mute-582298/

That device will make all of your notes played go sharp. That is what mechanical mutes do.
 
Put screws on the ends so that you can adjust it like on a Music Man bridge and you've got a winner.

OKay, here is another shot at it - using a more conventional layout but may still be easy to remove. Probably easier to manufacture too - due to the lack of hinge assembly.

attachment.jpg


Good comment about intonation. I wonder how any muting above the bridge intonation point changes the intonation...
 
Awesome feedback all around.

I think that both concepts could use a few tweaks to become more perfect.

I'll take any comments and try to improve the designs in drawing format, before modeling and printing a prototype. Both will be prototyped.

I think V2 (bridge style) is probably less of a risk, but V1 (hairclip) is kind of cool in my opinion I'd like to give it a try.

Not quite there yet, but I think it would be awesome to get some testers send comments and help out with the refinement of the prototypes...
 
You're making a complex device that does exactly the same thing as a single thicker piece of foam rubber.

Just remove the springs and use a thicker piece of foam, it's already springy.

Hi Ogle,

I like your approach to simplicity - and I agree with you about the foam pad - it is the simplest way to mute the strings. I've always had trouble with shimming the foam pad in and out from under the strings in the middle of a set (or even a song).

Like I said earlier - maybe I am using the wrong shape or softness of foam but usually it takes a lot of fussing to cram the foam in there.

This design is meant to be a quick application mute.

Do you have any dimensions or foam types that you think generally work well for a simple foam pad version?

Thanks for the input!