My name is Paul Warburton, i'm new to this forum and am a jazz double bassist in the Denver area.
I'm trying to find other owners of basses made by a luthier who lived in Chicago in the late 1800s-early 1900s named Joseph Bohmann. This is the most beautifully bizarre bass i've ever seen. It has mother of pearl inlays on the tips of the scroll. The machines are laid into etched cast iron full plates that are capped over the brass cogs and worm gears. The tuner shafts and turners are very large wuth three decorative holes in each turner. Five tuners. The scroll and neck are carved out of two pieces of ebony sanwiched in between three pieces of curly maple. The ebony fingerboard has channels carved into it under the G and B strings. On another thread of this forum, people are talking about 5 string low B basses and concerns about the lack of sound from the B string. This bass was made as a 5 string and has alot of added support designed into the inside of the top. The B sounds like a growling E on a 4 stringer and sounds like a pipe organ with the bow! The fingerboard is laid over the B side of the neck to accomodate the extra string and keeps the neck fairly thin. It has double shoulders, similar to some violones i've seen. It has triple purfling, including purfling in the edges where you lay it down. And yes, i use bumpers on the edges! The f/holes have lips carved around them. Double ebony inlays go from the button down the highly figured curly maple back and join the purfling in the bottom bout in a carved design. The ribs are laminated.
This instrument was aquired in Chicago in 1978 from the old Kagan and Gaines store on Wabash Street down town. It was tied up in an estate squabble and long story short, i'm the firstplayer/owner of this bass.
This is my first post and i'm sorry about the length, but i'm looking for anyone else who might own one of Bohmanns basses. He made almost every stringed instrument imaginable, including many stringed guitars with many drone strings and mandolins of his own invention. I will post some pictures when i learn how. All respect, Paul
I'm trying to find other owners of basses made by a luthier who lived in Chicago in the late 1800s-early 1900s named Joseph Bohmann. This is the most beautifully bizarre bass i've ever seen. It has mother of pearl inlays on the tips of the scroll. The machines are laid into etched cast iron full plates that are capped over the brass cogs and worm gears. The tuner shafts and turners are very large wuth three decorative holes in each turner. Five tuners. The scroll and neck are carved out of two pieces of ebony sanwiched in between three pieces of curly maple. The ebony fingerboard has channels carved into it under the G and B strings. On another thread of this forum, people are talking about 5 string low B basses and concerns about the lack of sound from the B string. This bass was made as a 5 string and has alot of added support designed into the inside of the top. The B sounds like a growling E on a 4 stringer and sounds like a pipe organ with the bow! The fingerboard is laid over the B side of the neck to accomodate the extra string and keeps the neck fairly thin. It has double shoulders, similar to some violones i've seen. It has triple purfling, including purfling in the edges where you lay it down. And yes, i use bumpers on the edges! The f/holes have lips carved around them. Double ebony inlays go from the button down the highly figured curly maple back and join the purfling in the bottom bout in a carved design. The ribs are laminated.
This instrument was aquired in Chicago in 1978 from the old Kagan and Gaines store on Wabash Street down town. It was tied up in an estate squabble and long story short, i'm the firstplayer/owner of this bass.
This is my first post and i'm sorry about the length, but i'm looking for anyone else who might own one of Bohmanns basses. He made almost every stringed instrument imaginable, including many stringed guitars with many drone strings and mandolins of his own invention. I will post some pictures when i learn how. All respect, Paul