When I play a Jazz I want to tear up and down the fretboard, slaps/pops, lots of muted or stuttered notes, slides, and various other frills. This, IMO, is more easily to accomplish on a 4.
When I play a P, it is a big thunderous, no frills bassline. Straight and to the point. Every note is played with authority, and every note counts in the line. This style IMO lends itself much more readily to a thicker neck and additional effort required for muting the extra string, not to mention getting the extra thunder down low.
Why is it that the 5-string P has not been heavily demanded like 5 string Jazzes have? Is this related to America's obesity epidemic and modern day bass players being unwilling to move horizontally down the fretboard?
When I play a P, it is a big thunderous, no frills bassline. Straight and to the point. Every note is played with authority, and every note counts in the line. This style IMO lends itself much more readily to a thicker neck and additional effort required for muting the extra string, not to mention getting the extra thunder down low.
Why is it that the 5-string P has not been heavily demanded like 5 string Jazzes have? Is this related to America's obesity epidemic and modern day bass players being unwilling to move horizontally down the fretboard?
