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Fanned Fret System anyone?

I have a friend that owns a Charlie Hunter, I was quite surprised how little time was needed to get used to the fanned frets. You would think playing for 20 something years on normal frets it would feel just wrong, but it doesn't.
I think the Dingwalls are a great idea on a bass, someday I will have one for sure. And to me the concept makes real sense in the scientific/ergo world.
Try one if you get a chance.
Dirk
 
I have never played a fanned fret bass myself, however, if you do decide to get on be prepared to pay quite a bit for it, because the builder must pay royalties to the company that owns the copyright, (and they will also want to make money on top of that for labor, engeneering, special bridge costs, etc.)
 
vwbtletdi said:
I have never played a fanned fret bass myself, however, if you do decide to get on be prepared to pay quite a bit for it, because the builder must pay royalties to the company that owns the copyright, (and they will also want to make money on top of that for labor, engeneering, special bridge costs, etc.)
The planning and the fret slotting are harder, especially I would think if the builder hasn't done it before. A jig must be made to do the slotting (unless you have some awesome CNC capabilities).

Novak's fee to license the patent is only $75.

If you use individual bridges, there is no special bridge cost. Also, if you do only a slight fan, you can get away with a stock bridge, per the Novax Nex page.
 
I've had the pleasure of playing Jean Baudin's 9-string fanned-fret Conklin "pac-man" bass.

jean-conklin-pac-man.jpg


It's a great instrument. It sounds fantastic and wasn't that difficult to play (I'm used to 7-strings already though). I can see it being relatively easy to get used to the fanning of the frets. The improvement in the evenness of the tone due to the fanning is certainly worth the extra cost of the fanned-fretboard. I'm considering having a new bass built with fanned frets. I want to try out Jean's pac-man bass some more first though.

- Dave
 
I play a 6-string Prima. Took about 20 minutes to adjust to the fanned frets......but, I already play 6-strings.....
Beautiful Low B! The Bag End ELF WAS MADE to be played with this bass:)

(Pic? Go to the bass nw site under bass gallery _ dingwall 6 string - Whale Pool Blue - Spalted Maple top......ooooohhhh)
 
hey Jauqo

Didn't you have a fanned fretless 8 made? Did you ever play it? How well would the fanned fret, or multi scale, fretboard work on a fretless? I've been kicking around that idea for a while.

BTW, I played a Dingwall lately, not sure what kind. But it had a killer tone. Very clear. B string was lovely. All the strings were pretty balanced. I think the tone would make a lovely fretless. It'll really sing. I'll have to see if it was the fanned frets, or Dingwall's luthiery that made it so great. I'm betting it is a little of both.
 
I'll also add that in my experience w/ my Dingwall basses that playing up high while a little tricky as far as fret placement, its actually easier on the wrist and feels more ergonomical. Less wrist twist (say that 3 times fast).
And yes a Dingwall fretless sings and plays wonderfully.

Its been hard to beat Mr Dingwalls committment to his basses
frank
 
jusplayinmybass said:
hey Jauqo

Didn't you have a fanned fretless 8 made? Did you ever play it? How well would the fanned fret, or multi scale, fretboard work on a fretless? I've been kicking around that idea for a while.



Yes It was a Conklin.it played great and the tone was very nice and growly.it was tuned Low F#-high F.it had only one Volume knob and one Pickup.By it being Fretless it would be the same as if it was a Non Fanned fingerboard,concentration would be the key.
 
jusplayinmybass said:
I think the tone would make a lovely fretless. It'll really sing. I'll have to see if it was the fanned frets, or Dingwall's luthiery that made it so great. I'm betting it is a little of both.

here are some soud files. some are fretless. Sounds like singing to me :)

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