- Jan 25, 2006
- 1,292
- 6
- Disclosures
- Endorsing Artist; Arnold Schnitzer/ Wil DeSola New Standard RN DB
I've owned my pair of Wizzy M-lines since late Oct.'06 and the honeymoon is far from over.
This weekend I finally got around to trying the Wizzy-M out w/ my ol' Walter Woods MI 225-8 (c. mid '80's 2 channel green light) and the sound was SWEET!
One gig was w/ the Prescott in a large room. Lower volume concert settng. We had pro sound, but at the soundcheck the sound guy said i didn't need to be in the house at all. I did feel that my sound was cutting thru eventhough stage volume was low. The WW's eq was set flat and when I did boost the midrange knob the slightest bit it gave me just the right amount of those famously pleasing WW mids. I think the WW w/ the WM-line has a bit more presence than the Acoustic Image Focus 2r III that I've been using w/ this cab. The WW w/the WM-line was warm, clear, even.. just great. I did a good amount of arco playing on that gig and I never felt the need to change the eq wether arco or piz. Ofcourse the AI Focus 2r has alot more power than this WW model and on the next gig I had to crank it up a bit more than I do w/ the AI in order to boost the signal of this earlier version Realist pick up. It was a Mardi Gras dinner dance doubling on DB and BG. A 7 piece band in a medium sized room for a crowd of about 80. But eventhough there was less headroom w/ the WW, since my WM-line is a 4ohm cab w/ high sensitivity there was quite enough great tone to cut that gig w/ one cab (even w/ this loud drummer w/ Elec. G and horns). No breaking up, distorting or barking. The WW seemed to enjoy the 4ohm load that coaxed out more of its good juicy juice. I really do enjoy the AI and WM-line combination for both DB and BG, but I have to say that the WW sounded just outstanding and I was really floored by the great sound when I picked up the Music Man Sterling BG. I was getting a really fat low end that was just inspiring on the R&B grooves. The drummer who I've worked w/ for many years commented on the omni-directionality of this cab as opposed to my older set-ups. While I was playing DB he said he hears the bass better overall now. Doubling w/ this head I was reminded of the covenience of the toggle switch to select between ch. 1 or 2. This is better than having to make sure I'm pressing the correct little white button in the heat of battle to turn off ch. 2 on the AI. Overall the pre-amp and the eq of the WW seems especially wonderful w/ this cab. The eq effects the tone more w/ less knob twisting than the AI. But I DO love the AI as well. I wouldn't be able to run both of my WM-lines w/ the WW 'cause of the 4ohm minimum load requirement of that head. The AI, however, takes the 2ohm load in stride. And oh, yeah... w/ the WW I didn't miss the lack of the hi-pass filter one bit.
I'm truly blessed to have such great gear
BG
This weekend I finally got around to trying the Wizzy-M out w/ my ol' Walter Woods MI 225-8 (c. mid '80's 2 channel green light) and the sound was SWEET!
One gig was w/ the Prescott in a large room. Lower volume concert settng. We had pro sound, but at the soundcheck the sound guy said i didn't need to be in the house at all. I did feel that my sound was cutting thru eventhough stage volume was low. The WW's eq was set flat and when I did boost the midrange knob the slightest bit it gave me just the right amount of those famously pleasing WW mids. I think the WW w/ the WM-line has a bit more presence than the Acoustic Image Focus 2r III that I've been using w/ this cab. The WW w/the WM-line was warm, clear, even.. just great. I did a good amount of arco playing on that gig and I never felt the need to change the eq wether arco or piz. Ofcourse the AI Focus 2r has alot more power than this WW model and on the next gig I had to crank it up a bit more than I do w/ the AI in order to boost the signal of this earlier version Realist pick up. It was a Mardi Gras dinner dance doubling on DB and BG. A 7 piece band in a medium sized room for a crowd of about 80. But eventhough there was less headroom w/ the WW, since my WM-line is a 4ohm cab w/ high sensitivity there was quite enough great tone to cut that gig w/ one cab (even w/ this loud drummer w/ Elec. G and horns). No breaking up, distorting or barking. The WW seemed to enjoy the 4ohm load that coaxed out more of its good juicy juice. I really do enjoy the AI and WM-line combination for both DB and BG, but I have to say that the WW sounded just outstanding and I was really floored by the great sound when I picked up the Music Man Sterling BG. I was getting a really fat low end that was just inspiring on the R&B grooves. The drummer who I've worked w/ for many years commented on the omni-directionality of this cab as opposed to my older set-ups. While I was playing DB he said he hears the bass better overall now. Doubling w/ this head I was reminded of the covenience of the toggle switch to select between ch. 1 or 2. This is better than having to make sure I'm pressing the correct little white button in the heat of battle to turn off ch. 2 on the AI. Overall the pre-amp and the eq of the WW seems especially wonderful w/ this cab. The eq effects the tone more w/ less knob twisting than the AI. But I DO love the AI as well. I wouldn't be able to run both of my WM-lines w/ the WW 'cause of the 4ohm minimum load requirement of that head. The AI, however, takes the 2ohm load in stride. And oh, yeah... w/ the WW I didn't miss the lack of the hi-pass filter one bit.
I'm truly blessed to have such great gear
BG