I was thinking about this the other day.
I own a Lakland Skyline and a Peavey Cirrus. These basses has probably travelled more than i have done in my life.
My skyline, correct me if I´m wrong, has been send to Korea to be assembled and then back to USA to be checked. And then it has travelled over the Atlantic to my home in Sweden.
That´s not so good from the Earths point of view.
Then there are many instruments that are build from exotic woods. Which probably has been taken from a 3rd world country to the manufactor and then to a dealer.
I don´t want to be the boring guy. I like my basses, they are in many way my tools and toys. They help me to get money and joy.
But I wonder what we as bassplayers and humans can do to make a difference for our world and people around the globe. For example the man in Africa who chopped down that nice piece of bubinga.
Here at Talkbass, many musicians are gathered a perhaps we know or can find a way of making a small differnce that has a great impact of our future. Share your thoughts!!!
When I was a film photographer (and I may return to that) I worked with silver salts and the plethora of toxic chemicals that the commercial photographic industry consumed in tonnage daily. Silver can only be gotten from the ground by mining the planet, which is a very destructive process to the earth and the individuals who must do that work. Snap-shooters were a far greater part of the negative impact than professionals, but I certainly did my share of damage creating my art and making my living. It bothered me quite a bit. Digital photography is certainly an improvement, but it does not produce an archival information base. Still, it is much better this way.
Let me encourage the moderators to let this thread stand even though it may brush upon the political and perhaps the moral territory that is generally "verboten"
As musicians we are part of an ancient heritage that preserves the oral history of our kind. We write new songs about our observations in this time and repeat songs that are about times past. In the stone age culture of the Celts, Bards were second only to Druids in cultural importance and preservations. They were the second highest class of persons. Is it any different today when one considers the cultural status of Robert Johnson, Beethoven, Jimi Hendrix, or others like that? As we ask if what we do and the toll it takes on the planet is worth the sacrifice, consider the loss of culture if we did not.
Take as an example someone like Ken Smith. Take a tour of his operation if you will. You will see sustainable practices of luthierie throughout, and beautiful instruments that will last several hundred years, possibly to be adapted to sustainable energy sources as time goes on and we are forced to be better energy stewards. I point to Ken, not because he is unique, but because his is a good example to follow. So on the manufacturing side, the use of wood that is not rare, that can be readily replaced and that is fully used and not wasted is certainly something to consider as a consumer of bass guitars. Considering the small amount of resources consumed in building a bass, there are so many things we do that are much more wasteful than building and playing musical instruments, but still, we should do our part to minimize the impact if we can.
Directly addressing the issue of the energy cost of the global trade that puts wood from America into a factory in Bulgaria, or somewhere else and then marketed to buyers in another country perhaps, sure, there is a lot of criss-crossing of oceans that could be avoided. But that is the economics of cheap, readily available fuel for shipping. If we ran out of fuel, the shipping would still happen, just with port cities being more important than cities like Atlanta, which just have an airport. Shipping would be by clipper ship again perhaps. Those of us who live past the last drops of oil may indeed see these things.
So I bring up a few things that could be books in a couple of paragraphs. How are bass guitars any different from other things? In general, try to preserve whatever gifts the earth has given to you, musical instruments included. When you build an instrument, make it the best way you can (like Ken Smith or Stradivari) so that replacing it is not an issue. When you purchase an instrument, try to do so in an informed and responsible way. Try to make the instrument last, and repair, restore, and preserve when these are the options. Support and encourage individual luthiers and recognize the important investment you make in this planet when you purchase and choose to play a truly fine instrument. It takes no less wood to build a Wishnevsky than a Smith or Ritter, so quality is part of the equation of waste and so is skill.
And learn and play songs like "Jack-a-Roe" and "Greensleeves" and "Danny Boy", "Peggy-O", "Abraham, Martin, & John";- write some songs about 2001 and the wars, trials, tribulations, joys, victories of the human spirits that you see around you. That is your responsibility as a Bard. The earth will give you whatever instruments you need from its' forests if you are the good stewards of them.
Also, learn to play acoustic instruments. Play them whenever the opportunity presents itself. These are the instruments that will last and that do the least harm. And if you fell a tree to build your double bass, use a Swedish axe. As far as I know, these are the most environmentally friendly axes being made in the world.