Good God, are people still freaking out over that?
Bass Player magazine interview, 09/2004:
"Wolstenholme's gritty tone on 'Hysteria' is the result of his blending his clean Marshall DBS tone with two distortion-laden DBS rigs: one with an Electro-Harmonix Big Muff, and the other with a Human Gear Animato. To fatten the sound, he doubled his bass line with a sequenced synth-bass. While he recorded a direct signal from his bass, he says it was 'purely as a fail-safe measure; we didn't end up using it on record.' "
It's not a secret!
Bass Player magazine interview, 09/2004:
"Wolstenholme's gritty tone on 'Hysteria' is the result of his blending his clean Marshall DBS tone with two distortion-laden DBS rigs: one with an Electro-Harmonix Big Muff, and the other with a Human Gear Animato. To fatten the sound, he doubled his bass line with a sequenced synth-bass. While he recorded a direct signal from his bass, he says it was 'purely as a fail-safe measure; we didn't end up using it on record.' "
It's not a secret!

