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Sadowsky NYC PJ5 vs Fender Pre-CBS 62' Pbass

ElMon

ElMon

Supporting Member
May 30, 2004
7,364
6,345
44
Oklahoma City, OK
#1
The Basses:

Sadowsky NYC PJ5 with alder body brazilian rosewood fretboard
DSC01636.jpg


1962 Pre-CBS Fender Precision with alder body brazilian (possibly indian veneer?) rosewood fretboard
DSC01562.gif


Strings:

D'Addario Chrome Flatwounds, both new sets and setup with medium-high action (equally measured) and identical pickup heights.

Recording Method:

Recorded flat in Apple's Garageband and then converted to .MP3 into iTunes.

PJ5's blend knob was set completely on the P, or neck, pickup




62' Precision with D'Addario Chrome Flats
http://soundclick.com/share.cfm?id=9793043

Sadowsky NYC PJ5 with D'Addario Chrome Flats in passive mode
http://soundclick.com/share.cfm?id=9793042

and just for fun, here's a clip of the NYC PJ5 with onboard EQ. Bass and treble are at about 25%
http://soundclick.com/share.cfm?id=9793070

Notes:

It's MY opinion that the Sadowsky PJ5, either set passive or with EQ, NAILS the sound of a Pbass. To me, the Pbass design is MUCH MORE about the pickup placement of that pickup and the woods/build quality used than what it says on the headstock. At least in THIS case.

Yes, there are nuances in tone that a brand new, modern instrument just can't emulate against a 48 year old Fender, but to me those factors are small and would virtually disappear when mixed in with other instruments, either live or in the studio.

What I absolutely LOVE about the Sadowsky is that not only can it nail the classic Pbass sound, but it can get the following sounds in my sonic quiver:

Modern Fingerstyle tone with both pickups:
http://soundclick.com/share.cfm?id=9793194

Slap tone with Both Pickups:
http://soundclick.com/share.cfm?id=9793193

Bridge Pickup tone:
http://soundclick.com/share.cfm?id=9793195


I'll get some clips up later on when I further change the setup on both these basses. After realizing how, again TO ME, my PJ5 is in the same sonic territory as my 62', just with a Low B and a few more tonal options, what would REALLY round out my arsenal is to keep my 62' Pass with flats AND a mute for that Jamerson vibe and to throw rounds on my PJ5 to cover the modern tones with vintage flavor arena.

To that end, I'm going to slap an old but relatively fresh set of DR Black Beauties on the Sadowsky and a set of Labella Jamerson flats on the 62'!!!!!!
 
#3
Wow, first off I'm in love with both of those basses. I'm very glad to hear that the "modern" Sadowsky does the vintage thing so well.

I'm with you 100% in that P-bass is going to sound like P-bass as long as you adhere to the general guidelines of pickup placement and wood combinations.

Now go buy a nice pre CBS Jazz and a Sadowsky Ultra Vintage Jazz and compare those!
 
#5
Passive, the Sadowsky sounded smoother than the Fender. The Fender had a more raw sound, IMO. The Fender sounds almost like it has rouondwounds while the Sadowsky was just more mellow. BTW, ElMon, you really get that Raphael Saadiq vibe going on both the P-bass and your Sadowsky.:bassist:
 
#6
Bernie Connors said:
Those both sound incredible! The Sadowsky does get darn close to the '62. I think you have a pair of great basses there. ;) :D
Click to expand...

thisSNsucks said:
Wow, first off I'm in love with both of those basses. I'm very glad to hear that the "modern" Sadowsky does the vintage thing so well.

I'm with you 100% in that P-bass is going to sound like P-bass as long as you adhere to the general guidelines of pickup placement and wood combinations.

Now go buy a nice pre CBS Jazz and a Sadowsky Ultra Vintage Jazz and compare those!
Click to expand...

Thanks, and I'll get back to you in about 10 years of savings for the Jbass comparison!! I'm a bonefide, card-carrying 'P-Man' myself. I do actually think that Roger's P and PJ designs are a little closer to 'the real thing' than are the J models, IMO. Of course, the Metro RV5 with singles I had DID nail a Jbass tone, coming from a 'P-fanatic' though, so my lense is different.

mstott25 said:
Wow thanks for doing that...that Sadowsky sounds KILLING! Mike Merritt (Conan O'Brien) is having Roger make him a P/J right now, I can hear why. That sounded great, the clip with both pickups & EQ just sounded killer - good choice man!
Click to expand...

Thanks man, and I think the versatility between both pickups, vtc on or off, eq active/passive gives you a TON of possibilities for all the tonal changes that you could bring to a gig like Mike's.

Dr. Cheese said:
Passive, the Sadowsky sounded smoother than the Fender. The Fender had a more raw sound, IMO. The Fender sounds almost like it has rouondwounds while the Sadowsky was just more mellow. BTW, ElMon, you really get that Raphael Saadiq vibe going on both the P-bass and your Sadowsky.:bassist:
Click to expand...


Thanks, and I completely agree. The 62' has that 'mojo' factor that truly is hard to get in ANY variant of Pbass, be it Fender/Sadowsky/Alleva-Coppolo/etc. Not all Pbasses are created equal, though I still think they're all 90% or more in the same tonal ballpark. Especially with similar setup/strings. The opposite of that is that, as I type this, I just finished stringing the 62' with Labella Jamerson's and put DR Black Beauties on the Sadowsky. Now they're both much farther apart tonally and more fully represent the 'Vintage P to Modern Axe' spectrum.

If I still have GAS now, it's only because of mental illness and NOT for lack of tones. And yes, I might have listened to my fair share of Saadiq/Jamerson/Weeks/etc. GUILTY AS CHARGED.
 
#8
I did indeed. After hearing how the rw-board 62' fit with my band so magically, I figured that a similar-spec'd PJ5 might be right up my alley. That and I got to turn on a local player/friend to my ash/maple. Another Sadowsky convert who 'got it' after playing it with the band.
 
#9
Cool thread, thanks for the recordings. In the recording that has the old P-bass, I here a nice warm conga like plume that eminates from the note that the Sadowski recording seems to be missing. That to me is a big part of the 60's P-bass sound. Don't get me wrong, the Sadowski sounds great, and sounds a smidge more even of a player, across the fretboard. I'm just sayin', IMO, YMMV...yada...yada...
Joe
 
#10
Really super recordings and comparison. Thank you for taking to time to do this.

I was able to borrow Bartman's NYC PJ4 (alder/Braz) for a couple of weeks and found that too had a remarkably great P tone with minor fiddling with the VTC.

I didn't compare it to my '63 or '73 P but from memory the Sadowsky sounded very respectable. Of course I did develop a nice case of GAS for a Sadowsky PJ which seems to have gotten worse after listening to your clips.:help:
 
#11
Aside from a little more growl from the clip with the fender, they sound pretty close. I've been thinking about moving my Larkin for a P/J 5'er when Nathaniel gets done with her. Probably a Sadowsky. Love my Larkin, but 35" scale and I don't gel.

Those must be really fresh chromes. You are getting more high end content out of them than I remember getting when I was using them. If they'd stay that bright (for my hands), then I'd consider going back to flats again.... Ah, ehf it. I'll stick with really dead (like at least 5 months in) steel rounds for the moment.
 
#14
Your '62 P sounds like it has deader strings, and it sounds like it's overall "weaker" (because of less low mids?) than your Sadowsky. It has an airier high treble, but the Sadowsky seems to have more crunchy high-mids.

Were you palm-muting on the first part of the clips, btw? The Sadowsky's treble sometimes drops dead as if you cranked down the tone pot in between phrases.
 
#19
Dr. Cheese said:
Passive, the Sadowsky sounded smoother than the Fender. The Fender had a more raw sound, IMO. The Fender sounds almost like it has rouondwounds while the Sadowsky was just more mellow. BTW, ElMon, you really get that Raphael Saadiq vibe going on both the P-bass and your Sadowsky.:bassist:
Click to expand...

Dr. Cheese and I agree. Sadowsky's sound too smooth thru my ears, natural or preamp'd. Even more so preamp'd, so "smooth" may be technically inaccurate as the pre adds a touch of distortion.

Anyway, thnx for taking the time. If I had a 60's J bass ( which I DID at age 17 in 1977!!), I'd compare my Aero-equipped Lakiie and Valenti to it. Same result likely with the passive JoBo5 being spot on J bass, while the Valenti with an Audiere and different placements (70's) would sound different. I do beleive the AERO Type I's are key, as is placement.

Point is, many luthiers have the 60's P or J sound nailed. We should all be thankful for that!

I'm in a state of grace with a very vintage 35" J5, and a modern tone monster 34" J5. Both for less than a collector's price on the unobtainium 1966 Fender J5 - COMBINED.

For the record, if you seek vintage J sounds, a Valenti with Aero's is the solution. P likely same. At $1000 less than a Sad.
 
#20
Thanks for the clips ... I've been GAS-n for both lately. Really wanting/GAS-n for a vintage "P" ... but am a 5'ver convert ... not sure it 4-strings will cut it for me.

Dig-n the tone of the Fender ... so thumpy smooth!
The Sado sounds wonderful ... gets close to the original "P" tone ... plus it's a bit more versatile, IMO.
 

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