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Hello everybody, Is anybody ever tried to use this guitar multi effect on bass guitar? How does it sounds with bass guitar? is there bass guitar compatible effects in it? Thanks

Hello everybody, Is anybody ever tried to use this guitar multi effect on bass guitar? How does it sounds with bass guitar? is there bass guitar compatible effects in it? Thanks

Hello, I'm pretty new to jazz. I have a question about two different kind of walking pattern: chordal or scalar (harmonic functional) pattern vs. Root-approach note - fifth - approach note - Root pattern. As I understand it, the second is non-harmonic functional pattern because of the skip from...

Hi, How would you instruct your student toward his first jazz gig take into account he is a good scores reader? Would you instruct him to write his own walking on a staves sheet and read it while he play in the concert? Study it by heart? Or improvise his line? What have you done in your first...

Hi, I'm pretty new to the Jazz and walking thing. In the Jazz style, in a given standard, one should create a different walking line for each cycle of A or B section? Or is it possible to play the same walking line for each section of A or B during the piece? Thanks

Hi, During my walking bass studies I've encountered two different methodic approachs. First, Once I had a teacher who tought me some principles about walking bass: 1) on the strong harmonic beats (1+3) there should be only chord tones. (That can be also be appear on the 2 and 4 beats) 2) the...

Hi, Sorry for that silly question maybe. But a pro bass player, while he play a groove, he always declaim 1e&a2e&a3e&a4e&a inside himself? Or he relay on the timing skill he acquired during practice without subdevision counting?

Hi All! I have a question about this tune by Hank Mobley. The A section with the continous Cm7 chord require a walking on C Dorian mode?

Hi All! I have several questions about walking bass in jazz: 1. in jazz standards, when I create a walking over m7 and maj7 chords, should I apply modes over them for the walking purpose? or is it enough to relate a major scale(Ionian) for maj7 chord and minor scale(Aeolian) for m7 chord? for...

Hi All! I have several questions about walking bass in jazz: 1. in jazz standards, when I create a walking over m7 and maj7 chords, should I apply modes over them for the walking purpose? or is it enough to relate a major scale(Ionian) for maj7 chord and minor scale(Aeolian) for m7 chord? for...

Hi all! I have several questions about walking bass in jazz: 1. in jazz standards, when I create a walking over m7 and maj7 chords, should I apply modes over them for the walking purpose? or is it enough to relate a major scale(Ionian) for maj7 chord and minor scale(Aeolian) for m7 chord? for...