Thank you. I love input. In fact, from a question above, I am changing out the entire bridge idea to make it easier to mount the bridge pickup without the cover. More to follow!
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It will change the tone, but whether it's a bad or good thing is in the ears of the listener.i did uncover one issue, that is now too late to fix. i mounted the neck pickup in the '51 P template location, which is down a little from the jazz location. I noticed it when i was measuring the location of the bridge pickup. I can raise it a little by routing a little more of the PUP cavity, but wondering if 1/2" or so is going to make a huge deal on tone?
i did uncover one issue, that is now too late to fix. i mounted the neck pickup in the '51 P template location, which is down a little from the jazz location. I noticed it when i was measuring the location of the bridge pickup. I can raise it a little by routing a little more of the PUP cavity, but wondering if 1/2" or so is going to make a huge deal on tone?
well, not that anyone's watching my psycho-babblebut i ordered the china pickups. i can't fit in under the $100 ceiling without them.
the good news is, i have the N3's on the way, and am going to wind my own single coils, so look for a 3-way pickup shootout to come shortly after the bass is finished.
total price
6.88 - wood
13.38 - pickups
11.84 - bridge
18.68 - tuners
33 - neck
total = 83.78
That's looking good!After hours and hours of watching "how to stain" videos, I decided to go for it. Here is the first coat of my hand rubbed tobacco burst. One with the copper I'm going to make the bridge out of for a color contrast.
I'm going to try and get a little darker edge on the 2nd coat.

I am getting better at this staining business.
I have a question. I am going to brand the headstock. I am assuming I do that before the poly finish, but not sure. Input?View attachment 577914

