Sorry for the late response....
I just took this photo of all of my three-pickup instruments.
The Freeway Switch layout is the same on all of them:
The first one was the Rick build. I wanted to capture both the 4003 and the 4005 pickup locations/combinations. It originally used three of Rickenbacker's HB1 pickups. Those pickups sound great to my ear, but they're fragile, and after the third one died, I replaced all of them with Gemini pickups: a Firedrake at the bridge and a pair of Rogue Waves in the middle and neck.
The next one was the G3. It originally used a trio of Calig single-rail Strat pickups, which sounded good. I then replaced them with a trio of Wilde L45S pickups, which ended up sounding essentially the same....
The next one was the Tele. It started out with a trio of StewMac P90s (the middle one RWRP), but they sounded too twangy in this guitar, so I replaced them with a DiMarzio Super Distortion in the bridge, a DiMarzio Deluxe in the middle, and a DiMarzio Fantom P90 at the neck. (The Fender Panorama vibrato is also fantastic). It is now one of my favorite guitars!
Finally the EB333. This is an Epiphone EB0 body with a homemade 33" scale neck. Three EMG soapbars onboard. I experimented with quite a few EMG pickups in this one: 35DC, 35CS, 35P, 35J, 60-7, 707. Right now it's the DC at the bridge, the CS in the middle, and the P at the neck, but this could (and probably will) change.
Pickup level balancing is about setting the pickup heights, as well as using hotter pickups at the bridge (although this isn't always strictly necessary). The bridge pickup on the Rick is right up against the bridge, which I ordinarily would never do, but that's where the 4005 bridge pickup is, and running bridge and neck together does give that cool 60s sound. I never use the bridge pickup solo on that one. In fact, I practically never use the bridge pickup solo on any of my basses....
And yes, sometimes my pick does crash into a pickup....