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4 - 5. - 6. ? Short or Long scale. ?

Do you have a preference.
The last 40 odd years has saw me own close to 200 basses and play many more.

Had 4, 5 and 6 strings, fretless/fretted, active/passive, long/short/multi scale, solid/semi-hollow/acoustic. For most of the last 10 years I've rarely played anything other than SC passive P-basses with maple/maple necks, strung with flats or tapes. I also tend to avoid solid colours, favouring natural under oil or wax.

p.s.

I no longer buy brand names, preferring my own builds.
 
Do you have a preference.
For the past several years I've pretty much been playing 23" scale uke basses only. I am very grateful that in the past 1-2 years string manufacturers are starting to make normal steel core strings in uke scale to use in conjunction with magnetic pickups. For a long while it was only the silicon rubber strings and piezos which do sound good but dealing with the idiosyncrasies of the rubber strings was a nightmare that I don't miss.

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My #1 bass guitar since about 1995 has been a Yamaha TRB6P. AFAIK it's 34" scale. I own 4-strings and 5-strings with scale ranging from 33 1/4" to 35" If I play one of them for too long it starts degrading my proficiency and fluency on the 6-string. This is because I use different strategies to navigate the fretboard. With 4-strings it's necessary to shift up and down the neck. With 6-strings it's generally better to play across the neck.

When I was still an active pro, I also played a traditional upright bass and a 6-string electric upright. I find switching to these instruments had little impact on my ability to play bass guitar because I used a totally different fingering system: Simandl [1,2,4] on upright and one finger per fret [1,2,3,4] on bass guitar.


The two uprights did not intonate exactly the same, and this caused problems in situations where I could not hear well enough to adjust on the fly. In particular when playing in a classical style, the upright is usually part of a section. Usually I would store the electric upright in it's case a few days before tour prep. Then I would pull out my old Simandl books to dial in my intonation on the traditional upright. No problem switching between BG and upright.

In big band I played all three instruments. This was possible because the bass stands on it's own in a big band...I was loud enough to hear and correct intonation problems.
 
My #1 bass guitar since about 1995 has been a Yamaha TRB6P. AFAIK it's 34" scale. I own 4-strings and 5-strings with scale ranging from 33 1/4" to 35" If I play one of them for too long it starts degrading my proficiency and fluency on the 6-string. This is because I use different strategies to navigate the fretboard. With 4-strings it's necessary to shift up and down the neck. With 6-strings it's generally better to play across the neck.

When I was still an active pro, I also played a traditional upright bass and a 6-string electric upright. I find switching to these instruments had little impact on my ability to play bass guitar because I used a totally different fingering system: Simandl [1,2,4] on upright and one finger per fret [1,2,3,4] on bass guitar.


The two uprights did not intonate exactly the same, and this caused problems in situations where I could not hear well enough to adjust on the fly. In particular when playing in a classical style, the upright is usually part of a section. Usually I would store the electric upright in it's case a few days before tour prep. Then I would pull out my old Simandl books to dial in my intonation on the traditional upright. No problem switching between BG and upright.

In big band I played all three instruments. This was possible because the bass stands on it's own in a big band...I was loud enough to hear and correct intonation problems.

My TRB5II 5 string is a 35" scale, not sure about the TRB6P. My TRB is a very comfortable 5 string with a great low B. However, I am very much a 34" scale, passive four string guy...most of the time.
 
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6 string 33 & 34". Ibanez and Cort currently, but some customs a bit later when I have the time and the weather gets better. Neck through blanks are glued up already for 3 basses and 2 guitars.
 
If I could only have one it would be a 34" 5-string, but I do like variety and I prefer 4-strings for many things where I don't need a low B or high C.

I had a 35" scale bass once and really hated it, so it's definitely 34" for me - although I haven't tried short scale. Maybe I should?
 
I prefer 4 string basses with 33.25" (Rickenbacker long) or 34" (long) scales. I tune to D Standard (D-G-C-F), so I don't need a fifth string to go any lower.

Short scale basses usually feel like toys to me, so that's why I don't play them.

I never gelled with 6 string basses even though I like the idea of them. The extra muting, extra weight, information overload on the fretboard, and redundant notes make me feel overwhelmed. These issues aren't as bad with 5 string basses, but they're still present. I would only play a 5 string if it were tuned D-G-C-F-A#, so I can have better access to chords and some economy of motion.
 
I switch between those three. Guitar, 34" 5-string bass & 30" 4-string semi-hollow bass.
I would like a Ukebass & a fretless in the future.
I guess if U are a fast player with incredible chops, sticking to one type of scale/neck profile/radius makes sense (in order not to be thrown off when playing on another instrument...), but i sadly am not that kind of player & play mostly for myself these days..


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