It took me a few months, but I finally ditched my 4003 for a 4003S. Wow, the difference is remarkable in playability! I don’t think I could ever go back to a non-S model now.
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Either way works, depending on what one is trying to achieve. I have never use ROS for recoding, myself.I like the look of the 4003 with shark inlays better and binding.That's the classic Ric look.
My question is related tho to Ric-o-sound. When anyone records bass do you use that output all the time when recording? or would using the standard output be good enough? I'm talking about the new Ric's too with the push/pull pot as with that extra oompf they added, last decade or two, if that is good enough for recording without the need for ric-o-sound?
I don't mind binding, but I hate inlays, especially unsightly blocks.I've always considered big inlays and neck binding to be bugs. I live with both on some instruments, but I'd rather have wood than plastic.
I would not advocate doing that.I bet It would take all of about 5 minutes to round off the binding in the forearm area of a 4003. Then you's still have the awesome (for some) look of a 4003 with the comfort of a 4003/S. I personally like the look of both but I do use Ric-O-Sound so I need a 4003.
I actually did do it. I took off just the very edge so it was less pointy. It worked just fine But I ultimately replaced the binding with checker board. I would not recommend trying to take off too much.I would not advocate doing that.
I also have both. I never worried, or noticed the binding to be uncomfortable.I have a 4003sw and 4003s mbl and the rounded edges are noticeable compared to the ones with binding.