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4string wenge/ zebrano/ png rosewood.

Hey,
Here is my latest build, a neck through 4 string active bass.
My last 4 string didnt have the best action as I didnt put enough neck angle in, the action was to high, still learning. So I'm taking all the electronics out and putting them into this new one.
The shape will be similar to my latest guitar shape, just with softer edges for the bass.
Let me know what you think of the shape, pics below.

Ive had some zebrano and wenge sitting round waiting to be used for a body so this one will get it.

Here is the body bits, maple inbetween.

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For the neck im using png rosewood, maple and tas oak with thin maple lams. The rosewood and tas oak are nicely figured

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Shaped the headstock and neck width and depth.
Installed truss rods and only had some guitar sized carbon rods, used them anyway, not right but should help none the less.
Also I added another bit of rosewood to get the right thickness to match up with the body.

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Body glued to neck, now with the correct amount of neck angle, thanks to an online calculator I found.

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Body roughly cut out on the bandsaw.

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Onto the fingerboard, rosewood.
I went for a sword inlay and got carried away and put an axe in also. Not to sure about the axe after its done so I will be removing that.

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Round over done after cleaning up the edges. The contrast between the woods looks tasty enough to eat.

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Pickup time. I'm using the nordstrand pickups from my previous build, however this time they will get a nice wooden cover.

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Routed out the body for the pickups. My amazing skills and ****** router made a few mistakes and jumped into the template. No biggie just means this is going to get some thin pickup rings.

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This is were im up to. Very excited about this build the woods are looking good together. I think I will use tung oil on this build for the first time, seen some nice finishes, drying though just takes time...... and then some more time.......
 
Yeah the wenge stands out, however this bass will be on the heavy side as there is no chambers in the body, basically because I got lazy and didnt want to make another set of templates. I will be carving away at the back though, so the weight should come down.
 
Didn't get a lot done this weekend, food and wine festival was on Saturday, so it was slow working.

The electronics cavity routed out and the cover cut out of maple.
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Then got to work on fixing the axe, by using some wenge to make a shield.
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Wow, really nice. Great combo of woods.

I thought my control cavity was too big. But now that I see yours, it's the same size.

Nice inlay. I've never done inlay, but I'm planning to do one on my current build.
Any pics? Do you mind talking a little about how you do that?




I like the pickup covers.
 
Thanks IronFingers.
I will put up some pics of the inlay process, mind you I'm no pro.
My main tools to make the inlay are: band saw, spindle sander and small files. The tools to cut the inlay hole I use a dremel with precision base, chisels, and files.
I will show the process when I do the headstock inlay.
 
Tonight I fixed up the pickup routing job, I didnt want to go to wide so there is still a little bit of a nick left. I might still put a veneer around the pickups.
Then I got onto roughing out the curves. I now use a angle grinder with a sanding disk to get the main shape then hit it with the japanese rasp and other various files.
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Now onto the neck, using once again the angle grinder. I saw the UK builder Crimson guitars using this method, saves alot of time as long as your safe and dont try to take to much off at once it works well.
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Now onto the rasp.
 
I have installed the 6.5mm locking socket, dropping it further in to the side with a little ramp to access the locking tab.

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I wasnt happy with the abalone fret markers, didnt stand out enough. So I have a whole bunch of 6.7mm spacers, with roughly 1mm thick walls. I dropped them in, filed them off and filled with epoxy and saw dust. After that I fretted the bass. The last 6 frets are gold, left over from a previous build, subtle but cool.

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