I'm surprised at how close they are. But I got this gut feeling that B could have been my very own CV 50s.
So I'll go with B = single coil.
So I'll go with B = single coil.
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Here's mine.
Thanks, that's very useful to know. I guess I could live without bending the D on this particular bass. Does the split-coil produce a decent clear sound? I wouldn't want a quarter pound in there.
won't let me get the files..."too many viewers have downloaded this file"

The next blind test is gonna feature the opening of Continuum by Pastorius with the harmonics
(inside joke from a 51p owner...)
... right, so I will disclose the answer this way then
Here are the first notes (and harmonics) of the theme, played with each instrument:
I think most of you now know the definitive answer then... definitely everyone who played a single-coil P![]()
... right, so I will disclose the answer this way then
Here are the first notes (and harmonics) of the theme, played with each instrument:
I think most of you now know the definitive answer then... definitely everyone who played a single-coil P![]()
Would you please clueing in the rest of us? I’ve been watching all day for the answer![]()
... right, so I will disclose the answer this way then
Here are the first notes (and harmonics) of the theme, played with each instrument:
I think most of you now know the definitive answer then... definitely everyone who played a single-coil P![]()
... right, so I will disclose the answer this way then
Here are the first notes (and harmonics) of the theme, played with each instrument:
I think most of you now know the definitive answer then... definitely everyone who played a single-coil P![]()
YAY! LoLSure. As most people guessed, the 51 single coil is SAMPLE B, which is a CIJ 51P with a scatter-wound "51P" flat poles Bare Knucles pickup. The single-coil P is, by standard design, on top of the node of those harmonics played (eg 4th/9th fret), so they don't translate well. You can hear they are almost mute.
The 57 split coil is SAMPLE A, which is a Classic 50s with a scatter-wound "Traditional P" by Alexander Pribora. No problems on the harmonics department.
I see that some people answered the other way around, bot most guesses were right, and I think because the "split-coil" sound is quite heard and well-understood across records and players. That familiarity might also explain the slight edge of the poll results. I do agree that differences, while played back or listened to, are not as dramatic as one might think anyway.
More thoughts and conclusions on that later...