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'54 Precision vs '60 Precision

The only thing you'll lose is a little volume. There's a pretty substantial jump in volume if you switch the stinger into single coil mode.
I'll second this.
I put a switch on mine to change from single coil to the stack. It gets louder and sounds brighter when you go directly from stack to single, but if I adjust the volume to match I'm not sure I can hear any difference. While I don't regret the switch in this one, I don't think I will bother with it if I do another one.
 
I have the ‘54. The neck is fairly thick if that matters. Comparing it to my American Performer neck it is a lot thicker. No worse no better but on the thick side. It has a gnarly sound that I love. I have a Lollar single coil installed. View attachment 5030041

NICE!!! Question though…. What made you switch to the Lollar?
 
Single coil P-bass: Woodier tone, less upper midrange "cut". Can be a bit boomy and can get lost in a dense mix, at least compared to the split coil P. Noisy, like all true single coils.

Split coil P-bass: More upper mid presence, tighter lows, will cut better though a dense mix. Hum-cancellling.

The biggest difference BY FAR isn't the tone though but the dynamics. A split coil P feels compressed compared to a single coil P. A split coil is far more forgiving when it comes to right hand (plucking) technique. The single coil P has a much snappier attack which can turn into a clanky mess if your right hand technique isn't great (or simply calibrated for other types of basses). This is a difference you won't experience from watching youtube video. You'll have to play them both and the different "feel" will be instantly noticable. I'm guessing most players will prefer the dynamics/feel of a split coil P and need more time to adapt to a single coil P but both types have their fans.
 
The biggest difference BY FAR isn't the tone though but the dynamics. A split coil P feels compressed compared to a single coil P. A split coil is far more forgiving when it comes to right hand (plucking) technique. The single coil P has a much snappier attack which can turn into a clanky mess if your right hand technique isn't great (or simply calibrated for other types of basses). This is a difference you won't experience from watching youtube video. You'll have to play them both and the different "feel" will be instantly noticeable. I'm guessing most players will prefer the dynamics/feel of a split coil P and need more time to adapt to a single coil P but both types have their fans.
Thanks. That's good info. As much as I'm into the look of the single coil and even digging the tone, I have a feeling that I'll end up with the split-coil when it's all said and done. Tone-wise, I think it's more suitable to my needs. Neck shape will also play a role. Of course, if I go split-coil, I may venture out beyond the AVII. So many good options out there. I've owned a few of them and need one back on the rack for specific gigs and recordings. Time will tell (plus I've got a bass to sell-- 1 in/1 out & all that). Hopefully a nice NBD will come out of all this.
 
Agreed, it's edgier with a little more attitude.

You can always add a SD Stinger Stack [used by Dusty Hill, Sting, & me] to eliminate hum but keep the single coil character.

My favorite of all the 51 P Style pickups that I have tried. Too bad it doesn’t fit in the Sting Bass or Japan 51 P without some serious body modification. I am happy with my Joe Barden but it is a bit “grittier” at volume. Not in a bad way… but definitely not as clean as the Duncan.
 
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I have the Rio Grande Muy Grande. Sound of OEM with more highs and lows. I find the single coils to be, IMHO, YMMV, the most adaptable to most musics. That and there are four of us here who can make them sound like a doghouse. They were designed to after all.:)

.....and if he hadn't beat me to it above, "Spanish Boots" - Beck Ola! Ron Wood showing how it's done. Crank that through robust speakers.
 
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I am a Jazz Bass guy and I only have 1 Precision- a 2000 Fender Sting Bass. To me, the tones are in line with just running the neck pickup on a Jazz Bass, but with a little more umph and better slap tones, if needed for a song or two.

I assume the new Fender 54 P bass will sound better due to less polyurethane and better components. I have a Joe Barden / 51-Sting, dual coil in in the Sting. Its got strong tones and its, “Mouse Quiet”. I had another, MJT 54 model with a Mike Dirnt Roadworn neck. I had a Duncan 51 P/Stacked Stinger in that one.
View attachment 5029655
View attachment 5029656

Your saddles are tilted the wrong way
 
There's only one real answer here. ;)

Your saddles are tilted the wrong way
Not necessarily.

My '51 is like this on the E/A saddle with Labella DTB TB, and intonation is "spot on".
Just depends on the particular set of strings.

IMO; people make too much of the intonation "thing" on these (2 saddle bridges)
They are reasonabley adjustable to a point, with a bit of "futzing".
Before 1951, bass players played upright basses. They didn't "fret" about perfect intonation. (and thank god they didn't use auto-tune)
Next time you have your (4-saddle) bass/bridge "perfectly" intonated, check each fret up and down the fingerboard with a strobe tuner. You'll likely will be in for a bit of a shock.

Back to the original question; '54 or 60; Personally, I'd get the '54.
Fender has never made a US production re-issue SCPB bass (Telecaster Bass and Custom Shop excepted).
There are lots of options for a 3 TSB / Tort spit coil P. ;)
 
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Yes to the bridge. It is.
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