TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
Yep. I think if I'd seen it without knowing (or being able to spot) the flaws, I'd have enjoyed it more. Plus, I was so perplexed by how bad it was (I was 58 when I first saw it), that I did a lot of reading about the behind the scenes stuff going on. The whole thing really was a CF and I was not at all impressed with pretty much anything in it - including the camera work. What really hurt it, as well, was the interviews with the members of the band. They seemed not just drug addled, but a couple of them were permanently damaged, severely, by previous drug use.
Regarding your personal observations about me, you are correct. As I get older I see nuances, but I see EVERYTHING as binary - except art - which is hopelessly subjective and very much dependent on the viewer's/listener's past experience and world views. It's why some people love blue cars and some people hate them.
My perspective on this film is on the objective elements, however. It precluded me from "opening my mind" to the subjective elements to the point that I could enjoy them.
For me, the "overdubs, the behind the scenes tensions and egos" ruined the whole thing. It's a complete package to me. And here is the elephant in the room: There is a reason I'd never heard of them until my late 50's. They were one hit wonders - and Dylan's backup band.
always thought Dylan's music sucked, though he created lyrics beyond his age. I don't like "jam bands". As you pointed out, I like things a bit more structured. Maybe it's all those years playing in high school and college stage bands.
Like I said in that post, and it may be the key point: "art is hopelessly subjective". Regarding art, everything I said in the post is subjective opinion. Regarding the objective merits and weaknesses of the movie, I'm speaking to quality issues. Lets be frank: When you have to overdub the parts, there was a miss. And for something like this, it is a HUGE miss. It's like a football player going out on the field and forgetting to put on his helmet, or run to the wrong goal.Wow, pretty harsh. A national treasure in my world, Levon especially. And I'm not even the biggest fan of them or Dylan(Lou Reed speaks to me more)but I could never deny Dylan's legacy. During their heyday, I was far more interested in British guys playing through Marshall stacks than old looking guys with beards, playing through tweed Fenders, but their greatness finally caught up with me.
BTW, yes, Dylan's legacy is very important. It's what I was hinting at when I said his lyrics were beyond his age (years). I've followed some documentaries on how some of his recordings came to be. Very interesting, actually. And there was a lot of "lets throw it against the wall and see what sticks" going on. That's one of the reasons I'm not really all that impressed with his, or any other musician's work. I believe he was a unique individual, just like everybody else. Dylan, Buddy Holly, Muddy Waters, you name it - their claim to fame was being the first. And if they had never been born, someone else would have been first. Not identically, but close enough. Not that they do not deserve some credit for it.Wow, pretty harsh. A national treasure in my world, Levon especially. And I'm not even the biggest fan of them or Dylan(Lou Reed speaks to me more)but I could never deny Dylan's legacy. During their heyday, I was far more interested in British guys playing through Marshall stacks than old looking guys with beards, playing through tweed Fenders, but their greatness finally caught up with me.
Wow, pretty harsh. A national treasure in my world, Levon especially. And I'm not even the biggest fan of them or Dylan(Lou Reed speaks to me more)but I could never deny Dylan's legacy. During their heyday, I was far more interested in British guys playing through Marshall stacks than old looking guys with beards, playing through tweed Fenders, but their greatness finally caught up with me.
Ha!I love this bolded part, because that was me. The movie blew me away at 14, but then I was back to Zep, Cream, Beck, etc. I never explored their music until I was in my 40s, and saw the DVD at the grocery store and thought "I should see that again". Enjoyed it just as much (in spite of what were now, obvious overdubs in places) and then looked into their music in depth.
Wonderful - Everclear
When the album came out, a buddy tossed me this track and simply said, "You'll get it." Growing up as a child in a divorced/split household, I was immediately grabbed by the lyrics "I want the things that I had before, like the Star Wars poster on the bedroom door" because that was me (and I still miss that poster, although it was Empire Strikes Back). It took me years before I could listen to the song without breaking down and crying.
Ha!! The Wreck took place on Lake Superior. The Edmond Fitzgerald had just come in from Lake Erie and docked up in Lake Michigan to port to take on more ore. It was crossing through Lake Superior when the storm hit.

2 Frisells
Bill, Guy Klucevsek, Kermit Driscol, Joey Barron, Don Byron
with Eyvind Kang violin & tuba, Ron Miles cornet Curtis Fowlkes trombone
Can you please listen to this track and comment on the above? Maybe I'm missing something....
TIA!
Right? I aslo find Bill Frisell a little bit more to the "sophisticated" side of the Emotional > Sophisticated spectrum... While I only listened to Bill for a 6 month period, I got the sense that he is more of a Scofield than a Metheny, and is not as keen to wear his heart on his sleeve (or fretboard, in this caseSure, first of all Bill can do Anything, in any style (listen to John Zorn's Naked City albums) but I Do hear some use of the volume pedal and non attack glissandi, a version of what someone might call Bill's style...this may be Derek Truck's most Frizell like lead playing, but I don't hear the chord language of Bill much. Bill learned from Deric Bailey the master of stereo volume pedal spacial note placement. Listening again, it's really more like Sonny Sharrock than Bill. I think DT gets Bill's folk song Americana side.
yeah Bill isn't a pig or drama queen and he lives normally in Seattle, a cool north western city, what Is your point? Probably the most prolific recording jazz artist of the last 25 years, Bill Frizell isn't hired because he keeps his emotions hidden, and his cover choices are romantic and nostalgic, allot of them. check out Just Like A Woman. He makes people cry for cry'n out loud.Right? I aslo find Bill Frisell a little bit more to the "sophisticated" side of the Emotional > Sophisticated spectrum... While I only listened to Bill for a 6 month period, I got the sense that he is more of a Scofield than a Metheny, and is not as keen to wear his heart on his sleeve (or fretboard, in this case)
Thanks for all these recommendations, I have a lot of listening to do over the weekendyeah Bill isn't a pig or drama queen and he lives normally in Seattle, a cool north western city, what Is your point? Probably the most prolific recording jazz artist of the last 25 years, Bill Frizell isn't hired because he keeps his emotions hidden, and his cover choices are romantic and nostalgic, allot of them. check out Just Like A Woman. He makes people cry for cry'n out loud.

Simon & Garfunkel - I Am A Rock
This song speaks to me deeply, gives me chills every time I hear it and makes me cry 99 tears.... I can't help it, and I love this song. The lyrics just kill me.