Justin: I'm really getting excited playing around with Live and Max for Live and I think I'm going to start using it more and more in my productions, starting first by experimenting on my own and then with clients when I have a better feel for what I can do for them with it on the clock, etc...
I have a few ideas of some workflows that'll accomplish some cool things in conjunction with what we're already doing with Pro Tools and our analog gear, but I'd be curious to read about what you usually do. Tracking to Live, tracking to something else, editing and then importing into Live, ReWire, combining everything, etc... It seems like there are a lot of different ways you can go about doing it--especially if you have Live running on a separate computer system which I don't have currently...
If you have some time to write and wanna get geeky, please go for it!!
I have a few ideas of some workflows that'll accomplish some cool things in conjunction with what we're already doing with Pro Tools and our analog gear, but I'd be curious to read about what you usually do. Tracking to Live, tracking to something else, editing and then importing into Live, ReWire, combining everything, etc... It seems like there are a lot of different ways you can go about doing it--especially if you have Live running on a separate computer system which I don't have currently...
If you have some time to write and wanna get geeky, please go for it!!