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Advice on rack/no rack

I do feel that a rack case is a requirement to protect valuable equipment during transport. Any of us who have been "playing out" for some time have had stuff fall out of vans, off stages, kicked over by fellow musicians, the whole range of possibilities that happens to our gear. I've not used rack bags but I wonder how much protection they offer.

Tuners: I have two Korg rack tuners neither of which is in use. If your instrument has stable tuning they are pointless. I use a Seiko hand held but rarely need to use it. I check at the start of the evening and it sits on top of my amp for the rest of the evening.

Rack power units: I use Carvin AC120 series. The only racks that they are in have more that one power cable. I use them to keep the cables neat. They do offer surge protection and line filtering. You can get the same from a power bar if you want to go that route.

Rack case sizing: Anything more than a 4U case starts to get awkward to carry and position. The handles are in the centre of the case but rack cases are always front heavy.
 
Ditch the 6 U rack, the tuner and the conditioner. Get a 2U rackspace and

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The tuner output on your amp is on the front panel and it's less than $15.

Yeah, that setup is fairly effective...


- georgestrings
 
Tuners: I have two Korg rack tuners neither of which is in use. If your instrument has stable tuning they are pointless. I use a Seiko hand held but rarely need to use it. I check at the start of the evening and it sits on top of my amp for the rest of the evening.


You have stated this in the past, as if it's fact - it's your *opinion*, and I have pointed out in the past why it isn't an absolute, by any means...

I gig with fairly high end basses - probably the cheapest is an '08 American Standard Jazz, the rest are all considerably more valuable, and all would be considered to have "stable tuning"... That being said, depending on the time of year, a common gig scenario is that a 300-500 capacity venue will see an increase of atleast 20 degrees F from soundcheck to full house, stage lights up - ANY bass will see a change in tuning under those conditions, I don't care what it is...

Also, it's not uncommon for *some* bassists to use drop tunings during a set - having a tuner on stage for this is a necessity...

I think you're a very bright guy, Paul - but IMO you're way off on this one...


- georgestrings
 
You have stated this in the past, as if it's fact - it's your *opinion*, and I have pointed out in the past why it isn't an absolute, by any means...

I gig with fairly high end basses - probably the cheapest is an '08 American Standard Jazz, the rest are all considerably more valuable, and all would be considered to have "stable tuning"... That being said, depending on the time of year, a common gig scenario is that a 300-500 capacity venue will see an increase of atleast 20 degrees F from soundcheck to full house, stage lights up - ANY bass will see a change in tuning under those conditions, I don't care what it is...

Also, it's not uncommon for *some* bassists to use drop tunings during a set - having a tuner on stage for this is a necessity...

I think you're a very bright guy, Paul - but IMO you're way off on this one...


- georgestrings

+ 1 to the zillionth power!

I know for a fact that even very stable and older strings can shift their tuning/tension just by hand warmth.

Mostly, the larger-thicker strings are affected more so than the skinnier ones - but every time there is a temperature change, the metal in the strings changes dimensions - they move.

I notice that if I put a previously tuned bass up onto a wall hanger or put it into a floor stand, the tuning in one situation will wander more or less than the other.

Those who say they only need to tune their bass once a month - prolly play Industrial / Ja-Pop / Fusion / Bluegrass and it doesn't matter anyway.

If one HAS a decent tuner that can track quickly and accurately - one would see it - wouldn't one?