John Goldsby
Supporting Member
- Mar 4, 2003
- 1,172
- 2,160
- Disclosures
- Bassist @ WDR Big Band Cologne, Discover Double Bass, Conservatorium Maastricht, NL
The weekend camp is more freewheeling than the week-long camp. For the Bass/Drum/Guitar workshops (weekend camp) we (1) do a quick audition (very low pressure audition, in case you're wondering); (2) Have a demonstration of some basic rhythm section techniques/styles; (3) divide everyone into 4 groups, and then we split up into different rooms. You'd be in a room with a couple or few other bassists, drummers, guitarists who all play at about your level. There is one bass instructor, one guitar instructor, one drum instructor, plus a faculty horn player (who floats in and out) in each room. Then we just play through lots of tunes in various styles. We talk about how to make each style work, and what's expected of each instrument. Day 1 is long — about 8 hours. Day 2 is somewhat shorter, because the main jazz camp starts on that day.
The great thing about the weekend workshop is that you get to see and hear other player/student/participants, plus the teachers up close. The bassists constantly switch off, so I play some, you play some, the next bass player plays some. The same switch-off is happening with the drummers & guitarists. There is usually at least one faculty horn player who comes and plays with the rhythm sections. It's a huge weekend jam, with a lot of practical information constantly being offered.
In contrast, the weeklong workshop is very structured. You have ensemble 2x a day, master class (all bassists) 1x per day. Theory, listening in the morning. faculty concerts at night. There are extra classes offered if you have the energy— piano for non-pianists (taught by mr Fitzgerald), how to handle stage fright (taught by pianist Harry Pickens), Dave Friesen's "open door" policy (yes, you just walk in and ask him anything).
A lot of players find the weekend sessions really give them a head start for the week-long camp.
The great thing about the weekend workshop is that you get to see and hear other player/student/participants, plus the teachers up close. The bassists constantly switch off, so I play some, you play some, the next bass player plays some. The same switch-off is happening with the drummers & guitarists. There is usually at least one faculty horn player who comes and plays with the rhythm sections. It's a huge weekend jam, with a lot of practical information constantly being offered.
In contrast, the weeklong workshop is very structured. You have ensemble 2x a day, master class (all bassists) 1x per day. Theory, listening in the morning. faculty concerts at night. There are extra classes offered if you have the energy— piano for non-pianists (taught by mr Fitzgerald), how to handle stage fright (taught by pianist Harry Pickens), Dave Friesen's "open door" policy (yes, you just walk in and ask him anything).
A lot of players find the weekend sessions really give them a head start for the week-long camp.