I'm currently running an ACME B1 series III, 8 ohm cab with a an Acooustic Image Focus 1, series III for my smaller jazz trio type gigs. LOVE the sound, but there are times when we get rowdy and I just need more, so I've been looking for another cab. 8 ohm B1s are scarce on the used market. I demo'd about 20 different cabs last year and the B1 was the best choice for what I am after soundwise.('bummed that I missed the B2 yesterday for $250!) A few people have suggested getting an Acoustic Image ten 2 with the Cabrio setup.
That way I could have a louder, small rig directly coupled to the Focus in an easy to handle package, and use the B1 as an extension when needed for the louder sessions. Does anyone have direct experience with this combination? How is the sound of the ten 2 compared to the B1? My understanding of it is that the two 10s in the ten2 combine for a 4 ohm load and that matcing up the additional 8ohm 10" B1 should couple together fine. My other option is to get another B1 cab; less $, but I'd guess that I would start bringing both of them to every gig once I got a taste for the extra sound. 'More junk to haul during the load in / out. Last year I had an Acme flatwound 112; while the sound was not right for what I needed, the additional output over the B1 made it work very well for a lot more of my gigs. I eventually sold it- too much of a good thing for double bass and my jazz gigs. Better for a reggae or dub band sound.
Thanks for the help!
j.
www.condino.com
www.kaybassrepair.com
That way I could have a louder, small rig directly coupled to the Focus in an easy to handle package, and use the B1 as an extension when needed for the louder sessions. Does anyone have direct experience with this combination? How is the sound of the ten 2 compared to the B1? My understanding of it is that the two 10s in the ten2 combine for a 4 ohm load and that matcing up the additional 8ohm 10" B1 should couple together fine. My other option is to get another B1 cab; less $, but I'd guess that I would start bringing both of them to every gig once I got a taste for the extra sound. 'More junk to haul during the load in / out. Last year I had an Acme flatwound 112; while the sound was not right for what I needed, the additional output over the B1 made it work very well for a lot more of my gigs. I eventually sold it- too much of a good thing for double bass and my jazz gigs. Better for a reggae or dub band sound.
Thanks for the help!
j.
www.condino.com
www.kaybassrepair.com