I like the analysis! I understand the reasoning and it fits. ... ... ...
Why, thank you. Thankyewverramuch! I did put quite a bit of thought into it.
... ... ... However... ... ...
Wha ... What? Oh, no. Here it comes.
... ... ... I think Strawberry Fields following Mr. kite is way yonder too much Lennonand Penny Lane following Sixty Four is way too much McCartney. They work better, in my opinion, playing off one another. ... ... ...
Hey! You gave your choices, and without explanation, as I recall. Now(?!?) you want make a rebuttal!?!
Oh, OK. Sure.
You do make some good points there. I actually did consider my compounding John upon John and Macca between two Maccas as making the overall presentation possibility too lumpy, if you will, composer/lead singer-wise, by looking at this track listing on the 'pedia:
But, a running track score of Lennon vs McCartney is a very non-creative way to sort songs. If you count the number of tracks for each one there's more Macs than Johns anyway, so he's gonna have some doubles, or triples however you list them. So, in the end, IMHO, my stated content/feeling reasoning negates that numerical segregation argument.
And, while I believe you are tee-totally correct about Lennon/McCartney being at their best together, there's far fewer of those. For example, "Day in the Life" is really the only one on Pepper's, again IMHO. Sorry, but I don't really see "She's Leaving Home" as a true Macca/John play off each other, it's too cooperative. "Getting Better" actually comes closer to their point/counterpoint, I believe, but not a whole lot closer.
Oh, OK. Sure.You do make some good points there. I actually did consider my compounding John upon John and Macca between two Maccas as making the overall presentation possibility too lumpy, if you will, composer/lead singer-wise, by looking at this track listing on the 'pedia:
But, a running track score of Lennon vs McCartney is a very non-creative way to sort songs. If you count the number of tracks for each one there's more Macs than Johns anyway, so he's gonna have some doubles, or triples however you list them. So, in the end, IMHO, my stated content/feeling reasoning negates that numerical segregation argument.
And, while I believe you are tee-totally correct about Lennon/McCartney being at their best together, there's far fewer of those. For example, "Day in the Life" is really the only one on Pepper's, again IMHO. Sorry, but I don't really see "She's Leaving Home" as a true Macca/John play off each other, it's too cooperative. "Getting Better" actually comes closer to their point/counterpoint, I believe, but not a whole lot closer.
... ... ... I understand also that Mr. Kite ending side one is so well ingrained in the consciousness of Pepper listeners and indeed is a great place to flip the record and pause before the juggernaut Harrison epic but what if we had never heard Pepper before and side one actually ended with the reflective and contemplative Penny Lane? Then you would have a straightforward, upbeat tune that is more conventional that would set up the unconventional and surreal Within You Without You. ... ... ...
I think "Fields" is more 'conventional' compared to the maelstrom of "Kite", and not nearly so stylistically jarring a change as "Lane" would be there. Likewise, I see "Lane" as just too conventional to come before "Within You". No, I stand by the "Fields" flute freakout ending as a better lead-in to "Within You.
... ... ... Maybe it’s just me, but I need Lennon to break up the McCartney thing. Paul is certainly brilliant and clearly a maestro yet when synthesized with Lennon’s genius then a whole new level of artistry is developed and generated. Throw in Harrison and Ringo and well…you have the best Rock band ever.
I understand, Rumbley. And I certainly completely agree about the serendipitous synergy of the Lennon/McCartney competitive-cooperational core, especially along with the far-from-trivial support and augmentation from Harrison and Starr, making them what they continue to be, even now, over 50 years later! 
Hey, all you other bands, ...
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and Penny Lane following Sixty Four is way too much McCartney. They work better, in my opinion, playing off one another. ... ... ...
Please share some of yours, zonty, whether Beatles, or not. I'm probably not the only one who would like to see them. Very creative.
I did not know that Jeff and Tom collaborated on "Free Falling" - to cool.