Alright guys?
I have been on the hunt for a good giggable Pbass recently, and stumbled across the Player II Limited Edition “Moonlight Drive”…. a very nice dark metallic blue that came out last year. It immediately caught my attention, so decided to order it sight unseen…. And I was pleasantly surprised. Well, for the most part.
This is what it looks like as standard.
Love the colour, love the roasted maple neck.
Don’t like the parchment pickguard….
The bridge was a bit flimsy. And the rosewood fretboard was very dry and pale.
It was time to fix that. Hot rod the sh*t out of it.
Enters a black pickguard. A Hipshot Vintage bridge I happened to have lying around.
And a good dose of lemon oil and Montypresso wax to nourish and slightly darken the fretboard.
And here it is:
It is an absolute joy to play. Well balanced, neck is super comfortable and smooth. It’s very well finished and have no complaints in that regard.
And the sound?
Well, it came with a Seymour Duncan SPB-3. A VERY polarising pickup. Never played it before, and I was ready to have it replaced if needed - again, I have a spare P pickup lying around.
And you know what? First rehearsal with it a few days ago, through my pedalboard (Cali76 Bass Comp, Darkglass VMT, SansAmp ParaDriver) into the room’s Ampeg. What. A. Sound.
I loved it. Cut through the mix like butter. It sounded so nice, I wasn’t expecting that. I thought I was gonna hate the SPB-3. Well, it’s staying in!
It’s naturally scooped but the VMT adds a lot of mids so it sounds very nice in the mix.
I have found a very nice Pbass for my current band. Some would say that you shouldn’t have to change things on a brand new instrument, but if that makes it amazing, why not?
I have been on the hunt for a good giggable Pbass recently, and stumbled across the Player II Limited Edition “Moonlight Drive”…. a very nice dark metallic blue that came out last year. It immediately caught my attention, so decided to order it sight unseen…. And I was pleasantly surprised. Well, for the most part.
This is what it looks like as standard.
Love the colour, love the roasted maple neck.
Don’t like the parchment pickguard….
The bridge was a bit flimsy. And the rosewood fretboard was very dry and pale.
It was time to fix that. Hot rod the sh*t out of it.
Enters a black pickguard. A Hipshot Vintage bridge I happened to have lying around.
And a good dose of lemon oil and Montypresso wax to nourish and slightly darken the fretboard.
And here it is:
It is an absolute joy to play. Well balanced, neck is super comfortable and smooth. It’s very well finished and have no complaints in that regard.
And the sound?
Well, it came with a Seymour Duncan SPB-3. A VERY polarising pickup. Never played it before, and I was ready to have it replaced if needed - again, I have a spare P pickup lying around.
And you know what? First rehearsal with it a few days ago, through my pedalboard (Cali76 Bass Comp, Darkglass VMT, SansAmp ParaDriver) into the room’s Ampeg. What. A. Sound.
I loved it. Cut through the mix like butter. It sounded so nice, I wasn’t expecting that. I thought I was gonna hate the SPB-3. Well, it’s staying in!
It’s naturally scooped but the VMT adds a lot of mids so it sounds very nice in the mix.
I have found a very nice Pbass for my current band. Some would say that you shouldn’t have to change things on a brand new instrument, but if that makes it amazing, why not?
!
