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Amp vs modeling rig

Hello my friends ,Actually summer is coming and I am planning to attend to music collage program which is so far from my house .
They will give me small room for the time that I will be there (4 months ).
I was talking to the mentor who helped me signed for them programme and he gave me some information about the situation there .
Well I can carry my bass with myself but my amp must stay home because hard transportation.
Do to lack of car (at least for first month ), I have to think about a new amp rig that I can buy there .
Well my options are
Buy fender rumble 200 +2x10 cab which is a good poweful rig if I wanna be active outside of the collage

Or

Buy a fender rumble 40 for have amp in hand and buy fractal audio FM3 which I can use as audio interface and amp modelr and pedals and .....


Well the fx fm3 kind is looking shinny and well very easy to transport with a lot of access to different amp .

I'm stuck because I don't know even will I have an outside gig there or not .I mean why do I need a big amp without car if I don't have a gig!

In other hand I hate loud sounds ,in my current band I use rumble 100 and I prefer keep sound as low as possible and usually use ear protector that reduce sound 15db.

So I wanna know your idea about go with
FENDER RUMBLE 200+ CAB

OR

FRACTIAL STUDIO AX FM3 +RUMBLE 40





* is there any other option like active sepeaker which I can use with FM3 that sounds good like small amp ?
 
If you get the Fractal Audio FM3, any decent powered pa speaker will sound great depending on the volume you require. Many use a QSC K12. I have a powered Carvin PM12A that works fine for practice. My loud band I use my fEARful 1515/66/1 & a power amp. I was told I was looking at 3 months minimum wait for the FM3.
 
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I have zero experience with the Fractal Audio device, but given that it comes from a well known and loved player, I just assume that it is halfway decent. And halfway decent is enough. I personally often use my Headrush Gigboard at home. I have a nice amp setup sitting there (two barefaced cabs with either an Aguilar Tonehammer or an Ampeg PF 50-T tube amp, plus quite a few boutique pedals), but I also have the Gigboard and a powered 12" PA monitor wedge (nothing cheap, nothing fancy). What is the big advantage of the Gigboard? Well, when I want the sound of a cranked SVT with both the master and the gain dimed and the cab on the brink of farting out, I can dial that in on the Headrush and send that signal to the wedge. The master volume will take care of how loud that will be. I can play at reasonable volume levels without disturbing neighbours.
Should I try and get that vibe on the analog way, I'd need to crank my tube amp - but this will not bring my cabs to the brink of farting out, while making the windows rattle two rooms down the hall.
 
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