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Ampeg BA108 and BA110

All Ampeg stuff except the B2RE/SVT 450h sounds like Ampeg to me. The cabs impart different tones and the heads don't sound identical, although they all seem to be able to get the same basic tones with a little knob twisting, but the PF500 and BA108 head should at least be somewhat similar.
 
I just got one myself, because the 810 is too much of a pain to haul in and out of the house all the time. It has a great sound for a practice amp, at practice volume. Perfect bedroom amp. It would be perfect accompaniment for unamplified acoustic guitars around the firepit, too.

Where's that long extension cord?
 
Well, today I was lucky enough to A/B the BA108, BA110, BA112 and Micro VR at a local store (with a Squire Jazz Bass, 4 string passive, round wounds)!
>> Yes, that's right, I'm smiling!
Here are the results, and with that, disclaimer, IMHO, IME & check it out yourself.

1) First conclusion; all amps are good, all have the Ampeg tone.
2) No weird noise on any amp (Hiss or what have you).
3) The three BAs are quiet, with the Micro VR you can hear the Fan a little bit
4) At low (housepractice) volume, the BA108 and BA110 are best in sound, the BA112 is good as well. The Micro VR needs a little more power to wake up. The sound is a bit thin and you hear the fan.
5) At low volume rehearsel level (let's say guitars, vocals, no drums), all amps will do, the BA108 won't have real trouble yet.
6) with soft drums added, only the BA112 and Micro VR will survive.
7) soundwise, the Micro VR is the best, in second place both the BA108 and BA110, last in line, but still more than a good sound, the BA112.
8) The extra features on the BA112:
- The tilt-back function I do like and can be useful.
- The 5-way style variation, may be fun, but to me, not so useful.

Final conclusion:
1) If you want an amp for pure homepractice, I recommend the BA110, with in second place the BA108. No need to spend extra money on something else.
2) If you want an amp for homepractice and low volume rehearsel, I would say the BA110 or BA112
3) If you want low volume gigging I would prefer the Micro VR, or (if there are no drums) the BA112.

So there you have it.
And I know, I didn't test the BA115 and/or the Micro CL.
They were there also (in fact the complete, yes!, complete Ampeg-line, SVT and all), but I only had limited time.

And again, please try it out yourself, because my ears aren't yours.
 
I have a question about the BA110, however:
The version I've seen today is a non-tilted version.
But on some websites I have seen tilted versions (like the BA112 for instance).
Am I wrong? Have I seen ghosts or does somebody own a tilted BA110 amp (or has seen one)?
I'm curious, because I want to buy one and would prefer tilted.
 
I have a question about the BA110, however:
The version I've seen today is a non-tilted version.
But on some websites I have seen tilted versions (like the BA112 for instance).
Am I wrong? Have I seen ghosts or does somebody own a tilted BA110 amp (or has seen one)?
I'm curious, because I want to buy one and would prefer tilted.

My BA-110 tilts back...it is upgraded with an Eminence S2010 Basslite speaker. I use it regularly (tilted) for my jazz trio practice (Keys, drums, bass). Works great.

My BA-108 does not tilt.
 
Love my $95 BA-108 at home for practice and bought it after returning a $500 Markbass 1x8" that sounded better but I couldn't justify the cost.

I also have a $179 BA-110 that I use at my jazz rehearsal spot with upright bass, drums,guitar, piano ,sax.

At these price points I haven't seen any other amps this portable that sound this good.
 
I had a Marshall MB30. You could crank it up loud without distortion, but the sound was hard and flat. Switched to an Ampeg BA112. At high volumes it can distort, but at normal volumes (loud enough to play coffee houses) it sounds sweet and low, much better than the Marshall. Tried a BA108 in a music store. It distorted at a fairly low volume. I would go with a BA110 or BA112.
 
The newer BA-110s do not have the tilt-back cabinet.

I bought a new one without the tilt-back from GC, and a few days later they had a used one with tilt-back, (for less money).

I returned the newer one because I really wanted the tilt-ability.

The used one looked brand new, but the plywood cleats inside that the amp chassis was screwed to were delaminated, and that caused the amp chassis to buzz at even moderate volume. I glued the blocks up, and no more buzz. But, every BA108, BA110 I tried had some hiss. I don't care, because I'm not trying to record, or gig with it anyway. I see some have quiet ones, so I guess you should try to find one without hiss if it matters.
 
I know it is a little bit more expensive but have you considered the BA-115? I have had mine for 6 years and its still going strong (plus I bought it used from a guy who had had it for god knows how long). I have seen them on craigslist for around $150 in good condition. They are built to last and they provide and amazing tight low end.
 
Recently got a BA 108 and had the opportunity to use it at a band rehearsal. The rehearsal space is a small room with very few flat, reflective surfaces (drummers unfinished basement!). Two guitars and well muffled drum kit. It performed very well (the 108) and I had the volume at 10! No clip/fart/rattle at all! Could hear it through the guitar amps just fine! Best little amp I have had to date! Has the good Ampeg sound and I can pick it up with one hand!
 
Recently got a BA 108 and had the opportunity to use it at a band rehearsal. The rehearsal space is a small room with very few flat, reflective surfaces (drummers unfinished basement!). Two guitars and well muffled drum kit. It performed very well (the 108) and I had the volume at 10! No clip/fart/rattle at all! Could hear it through the guitar amps just fine! Best little amp I have had to date! Has the good Ampeg sound and I can pick it up with one hand!

That's weird. Mine starts to overdrive at 4 (11 o'clock).