Sorry for asking what it mean SLM ...sorry cuz my English is not good please understand my poor english ...thank you
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St. Louis Music, the previous owners of Ampeg before LOUD Technologies. Ampeg has had several owners...the founder Everett Hull, Unimusic, Selmer/Magnavox, MTI, SML, and now LOUD. Each company sourced their own speakers and each are slightly different from each other, although similar in many ways.Sorry for asking what it mean SLM ...sorry cuz my English is not good please understand my poor english ...thank you
Ah. Got it now.Yeah, well the early 810's are definitely low power handling, but I was talking about the 810e's made by SLM starting in the early 90's.
Oh Man...When I was a kid I played through a V4B powered by a SVT at the local jam night. It's still the best back massage I've ever had!
I really don't understand why the Ampeg factory stop produce this model I had one on 1980 ... for me it was the best bass amp at all time until up today and this Ampeg cabinet with 8/10 inches is too far from this old model ... V4B 2X15 Horn Cabinet Speaker is the best bass amp and I can't find Ampeg better then this model ...
Ampeg V4B 2x15 Folded Horn Cabinet Speaker Conundrum
Or they can't produce this model because of the 7027A tube?
View attachment 896903
That would be an interesting way to find out LOL!
I distinctly remember my 1976 SVT810 having 240 watts RMS on the jack plate. I used it with a 1976 V4B so I suppose there was little risk of blowing speakers. No matter what the rating said, still to this day the best tone I've ever gotten from my amp rig though!
When Magnavox sold Ampeg to MTI in 1979, MTI immediately discontinued every single Ampeg product except the SVT and 810, then tried to introduce new products that tanked. Then by the time that St. Louis Music started producing new Ampeg products besides the SVT and 810 in the early 90's, big giant folded horn 215's had fallen out of favor with the bass buying public.
There is some good news, though...Ampeg brought back the V4B in 2013, and even though it's not made with 7027a's or any of the other oddball tubes they used back then, to my ears the new ones sound just like the old ones, and they're 20 lbs lighter. They still haven't brought back the big 215 cab and it's doubtful they will, but at least you can get the heads again.
7027A's are still available, I forgot who makes them but it's one of the Russian companies, it's JJ (Tesla).
I used to not have good luck with JJ's but recently I have, at least their more common tubes. Don't have any amps with 7027a's in them, though. Got one with 12dw7's in it, and the JJ's were crap last time I had them. But that was 6 or 7 years ago and I wasn't happy with any JJ's I got back then. I'd be willing to chance them again, I suppose.JJ in Slovakia and sovtek/new sensor in Russia. Haven't had good luck with JJ tubes in general and the sovtek 7027As in particular so I stick to NOS in my V4, but I've also heard good things about the 7581A reissues from new sensor.
I used to not have good luck with JJ's but recently I have, at least their more common tubes. Don't have any amps with 7027a's in them, though. Got one with 12dw7's in it, and the JJ's were crap last time I had them. But that was 6 or 7 years ago and I wasn't happy with any JJ's I got back then. I'd be willing to chance them again, I suppose.
Wow Love it a Giant Ampeg
That's encouraging to hear. I had two and neither lasted me over a year. Got these in 2008, though...maybe they're better now.I think I have JJ 12DW7's in my SVT's and they've been in for quite a while, at least 5 years and I've had no problems with them, I'm not sure but I think they were the first ones to reissue them (?). I really like the Tungsol reissue 6550's.
That's encouraging to hear. I had two and neither lasted me over a year. Got these in 2008, though...maybe they're better now.
Ya, that's all a myth anyway based on a misinterpration of what's really happening.I remember in the mid to late 70s using an Ampeg V4B head and an Ampeg folded horn cab. Back then a solid heavy bottom end was needed for Tower of Power style nightclub music. The V4B and cab provided such an incredible bottom end, the club was filled with my bass tone.
Something that irks me that is an urban myth to me. Everyone says these cabs don't sound good until you get 20 feet away from them. Baloney! I played on some small stages back then and I had NO PROBLEM hearing my folded horn. Yes, there was no big horn on top for thumb whacking but back then the tone was great enough for providing steady, thumping bottom for dance music. And I heard mine just fine!
Long live the Ampeg Folded Horn!![]()
I remember in the mid to late 70s using an Ampeg V4B head and an Ampeg folded horn cab. Back then a solid heavy bottom end was needed for Tower of Power style nightclub music. The V4B and cab provided such an incredible bottom end, the club was filled with my bass tone.
Something that irks me that is an urban myth to me. Everyone says these cabs don't sound good until you get 20 feet away from them. Baloney! I played on some small stages back then and I had NO PROBLEM hearing my folded horn. Yes, there was no big horn on top for thumb whacking but back then the tone was great enough for providing steady, thumping bottom for dance music. And I heard mine just fine!
Long live the Ampeg Folded Horn!![]()