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Any 5 string Players happy going back to 4 String bass?

I was 5-string only for about a decade, then a few years ago decided to go back to 4 and eventually "start over" with my playing. I have happily been gigging a 4 in multiple bands for the past year or so. I only have one instrument in the house with a B-string and I never play it. I have been able to work around not having the low notes, and in general tend to play more simply on the 4.

I have however recently picked up a new 5-string and it has become my go-to bass. But...it is strung E-C and has a hipshot on the E. Pretty much game over for me. For what I'm doing I don't need a low B and now have no issues swapping between 4 and 5 string - since the low string is always an E. The extended range up high allows me to play at the nut and get extra notes without shifting (and they sound different - as a side note I never have been crazy about most B-strings up the neck). And now I can comp without it sounding like mud and flick a lever to get low D.

All depends on what you're playing though and your goals. But I find that I play a 4 differently than a 5, and they also sound different.
 
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All depends on what you're playing though and your goals. But I find that I play a 4 differently than a 5, and they also sound different.

+1

To me, a 4-string is NOT just like a 5 without the extra notes. They're different animals.
I've been primarily a 5 string player since '91 or so but in the last few years I've sprinkled-in some 4's. It's been a lot of fun, and it helps keep things interesting.
 
Guess I'm in the minority on this thread, but since I switched from 4s to 5s, it feels like a 4 is missing something. Like, a low D, a low C...

And my plucking (right) hand technique has evolved to where I instinctively mute with my thumb, and I miss being able to rest the base of the thumb on the B string.
 
I miss the thumbrest of the low string when I play my 4s. In fact, the only 4 I really play all that often is my Kubicki Ex Factor, because the ability to drop the low E string to a D without changing fingering patterns is incredibly useful for what I do in my band.
 
I went to 4s for the first time 3 years ago after playing 5s for 12 years. I prefer the horizontal playing of a four which gives my lines a lot more movement and it's more stimulating for the mind. I also think the neck size of 4s sounds most organic, as the neck increases mass I think the sound gets closer to a piano which is not what I'm after.
 
I learned on a 5ver, but I love my CV60s J. I added a Hipshot Xtender so I can play songs that require the Eb or low D. I think that is the only 4 string I'm interested in right now... I mostly gravitate towards 5 stringers and maybe a 6xer in my future.
 
Really appreciate all the great feedback and real-world player experiences. I think I'm gonna give a 4 string bass a try. Found one that really speaks to me, for a good price. And it's at GC. So if it doesn't work out, I can return it within 30 days. I will most likely be playing it on my Duo gig. We do some current material where a B String is sometimes helpful, but I should be able to work around that well enough.
 
Who's the lucky lady?

Actually what appears to be a 2008 American Fender active Jazz, alder/Pau Ferro. Surprisingly 'right'. Just has that sound I love. Punch, focus, growl, some jazz bass slap tones and playes like a Jazz. Light weight. and if I can pick it up for $900, it will be the least expensive bass I've purchased in a while and seems to be a real keeper.
 
I played 5ers for several years and then went back to 4str and was very happy. Much easier for me in terms of ergonomics and feel. Never missed B string but still you need it sometimes so I ended up with having one 4str bass strung normally and the other 4 str with 35" scale strung BEAD, the second one has only 10-20% of my total play time. I just can't take these 5ers seriously, nothing wrong with them but not mine...