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The most commonly accepted definition of mojo, as applied to expensive old guitars, seems to be a liberal encrustation of dead skin cells, skin oil, and other DNA material, rust, and disintegrating nitrocellulose laquer. This encrustation is highly valuable, apparently, though in other contexts, its referred to as "grime", "filth" or, more charitably, "patina". Some people are willing to pay large quantities of money to have an artificial form of this applied to brand new guitars to simulate years of smoky bar experience, simulated "woodshedding", etc., a practice I find inexplicable. Personally, I have never found the appearance of a particular bass to have much to do with how it sounds, though I do appreciate the look of a true survivor, with honestly acquired wear and tear. There are lots of crappy old guitars, and lots of crappy new ones. On balance, I think the current crop of basses is still far better made and finished than the vast majority of the old high dollar mojo-encrusted time travelers.
Too many TB members take everything literally.
My definition of Mojo doesn't mean magical powers, special voodoo, etc.......
Some basses sound better than others, and it would be hard to replace if you had to buy the same model bass or a different model with equal tone!
Cool! My friend purchased a used P-Bass bass at the GC for $40. He swapped the pickups and his inexpensive bass has a nice P-Bass tone!no, but I own some real cheap bass's that were made real well and favor them.
Exactly. No two pieces of wood are exactly the same, and no two instrument are assembled exactly the same. Sometimes it all works, sometimes it doesn't. Age is irrelevant unless some dent somewhere is the difference between resonance and not. That's highly unlikely, but I won't reject it out of hand.I don't believe in "mojo" in the sense of how most people use the word. I have played basses of the same model which sound better than others.
Yes. While in my friends music store, I noticed him hanging a freshly set-up instrument. He turned to me and said that I'd want to try 'this one', and that he'd never played a *****(brand) like the one he was hangin. He's not a salesman, and never pitched a sale to me so I took heed.
I played it and bought it on the spot. Never have I played a stringed instrument like it. Never then or again. I let others play it, but had to stop bcuz everyone kept coveting it by asking to borrow or offering to buy it. 2 people offered me $300 over my purchase price. Still I won't sell. It looks absolutely stunning, plays easily (scary easy) and sounds like all stars and planets were aligned perfectly during its creation. And everyone who I've let play it has felt some type of attraction to it. Yea....mojo's real.
If you never felt it you'll never know, cuz only those who feel it know it.
Believing and Knowing are different.

There is obviously more than one definition of mojo. I always thought it to mean something of a spiritual nature. The history that some believe somehow becomes a part of the wood, metal, plastic and electronics. A 60s P bass that was handmade in a factory by some guy in a headband, with a cigarette dangling from his mouth, which got bought by an excited 15 year old during the summer of love in San Fransisco, got played by Geezer Butler one time when he showed up at a cover band's gig of the second owner, toured all of Europe with a disco band that was happening in 1980, then survived a house fire, car crash, and skateboard accident while under the loving ownership of some kid who wound up being the first bass player for Sheryl Crow. Then got sold on eBay and landed in the current owners lap.
If the person who owns that bass can't play, it's going to sound like crap.
I also believe that if you believe it has mojo, then it absolutely does. If you don't, then it absolutely doesn't.
Thanks. I enjoy this thead. Good idea.You get it, I love your quote at the end!![]()