Buying an exact duplicate/ backup of a discontinued piece of gear one knows & loves just might be the most logical reason for purchase I have ever read on TB.
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I have three GK MB-200’s. Always searching for another deal.Buying an exact duplicate/ backup of a discontinued piece of gear one knows & loves just might be the most logical reason for purchase I have ever read on TB.
I have three GK MB-200’s. Always searching for another deal.
I'm not buying that: I can get what I want out of most systems....it doesn't mean that I'm not allowed to have favoritesWe have a saying in the horse world… if you can only ride one horse with good results, you might not be much of a rider.
We have a saying in the horse world… if you can only ride one horse with good results, you might not be much of a rider.
Buying an exact duplicate/ backup of a discontinued piece of gear one knows & loves just might be the most logical reason for purchase I have ever read on TB.
Not crazy at all! Bless you for finding what works best for you, and I totally agree with getting “backups”. I actually bought a backup to my Aguilar db659 preamp. I love smooth tone and parametric EQ, and to me, they remind me of the time when small bass companies went all-out on trying to make the best gear possible for players.Sometimes I think I’m a little bit crazy when it comes to the gear that I love.
I bought a Bergantino AE 410 bass cab about 10 years ago and nothing else that I have played through has even come close to displacing this cab as my holy grail of cabs. Because these have been out of production for so long, I started freaking myself out about what would happen if a speaker blew or if something went wrong…what would I do if something happened to my crown jewel of bass goodness?
I started shopping around to find another one a couple years ago and these almost never come up for sale (for good reason I might add). I even stalked Craigslist nationwide and tried to get a couple people who listed them for local sale to ship theirs on my dime. I’m not joking when I say that from what I have seen, maybe a couple of these become available per year…
Fast forward to today and holy smokes, I found one in amazing condition with casters and tuki cover available for purchase and shipping. I pulled the trigger immediately and this one will live on my rehearsal spot while the other one continuous to be my gigging workhorse.
2 years. 2 years of diligence and finally…I bagged my prize!
Am I crazy to choose 2 of the same cabs vs. buying a different awesome cab to try?
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Not crazy at all! Bless you for finding what works best for you, and I totally agree with getting “backups”. I actually bought a backup to my Aguilar db659 preamp. I love smooth tone and parametric EQ, and to me, they remind me of the time when small bass companies went all-out on trying to make the best gear possible for players.
Funny - I’ve owned the AE410 and sold it just last year. Great cab, great weight, but I’ve found I prefer the sound of my 2 HT112’s.
Your post motivated me to dig out my 1996 Eden WT-300 to see why I liked it. I had a D-410XLT and D-410XST back when I could lift them with a WT-800C to drive them. Anyway, I plugged the WT-300 into my CN210 prototype and ran through some of the tones. It certainly is a different flavor from Jim's amps - I used to think you couldn't hear the tube in the front end of the Eden but that, along with that big ol' toroidal transformer, seems to add some thickness to the sound. It almost seems a little "spongy." I can see why you'd like the Eden gear. It's why I've kept that amp since I bought it in '96. I still prefer the clean sound of the Bergantino amps, and I can dial in a little of the tube feel if I need it.
I don't have that one, but I do have an HDN212. I played an outdoor festival gig with it. The sound man miked everything including the bass. After the gig, I said, "Soooahhhh - how much bass did you put in the PA?" Him: "None. Didn't need it."I am tempted to buy a Bergantino NXT 212…
have you tried one of these?
I don't have that one, but I do have an HDN212. I played an outdoor festival gig with it. The sound man miked everything including the bass. After the gig, I said, "Soooahhhh - how much bass did you put in the PA?" Him: "None. Didn't need it."
Eden and SWR heads still sound like gold to my ear. I still have a WT405 head and a Workingpro 15 combo that are both aural magic.....but they are a lot heavier & bulkier than current fare.....and the cabs are like anti-tank obstacles.Your post motivated me to dig out my 1996 Eden WT-300 to see why I liked it.
Eden and SWR heads still sound like gold to my ear. I still have a WT405 head and a Workingpro 15 combo that are both aural magic.....but they are a lot heavier & bulkier than current fare.....and the cabs are like anti-tank obstacles.