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Anyone`s Opinion on Behringer Amps?

My first bass amp was a BX1200, a 120 watt combo amp I bought as a practice amp. I've had it for about three years, no problems whatsoever. I also have a KX1200 keyboard amp, and a PMH880S Powered PA head which my band gigged with regularly until we acquired a new bass player with more flexible and powerful PA gear that we now use. The PA head has taken some rough tumbles, and still looks good and works fine; we use it still for rehearsals. In my view, this brand provides value for the $. That said, there is some low-level background hiss in all of them, and they don't feel like they are built to the same level as many more expensive brands. I'm a guitarist, and use Mesa-Boogie amplification, because my guitar sound and rig reliability are my top priority. But, for my secondary instruments, like bass, e-drums and keyboards, the Behringer amps have done the job for me at a very economical price. The PA head has worked out very well, too, at a fraction of the cost of a Yamaha, Peavey, Mackie, or other more expensive brand, and I'm am confident our audiences neither knew nor cared about the difference. I'd recommend tryng Behringer for home use, or for a musician or band getting started and unable to predict what they'll want long-term. Later, you can always spend more money and upgrade when you feel able to do so and when you have an increased need for a higher probability of reliability for gigs.

An alternative is buying higher quality gear used, but then you probably won't have a warranty as you would with even inexpensive new gear. Still, buying used may be a good option if you can find similar features in a brand you have more confidence in.
 
... I bought a Behringer BXL900A (90-watt combo) during an early-GAS combo-buying frenzy, before I manned up and went head/cab. It was two hundo out the door.

I *did* push mine too hard once, during a gig, and for a day it emitted this very loud buzz whenever I turned it on and then the buzz was gone. Not being technically minded, I can only assumed that it healed.

I like the sound. Good, fat sound. Features I don't use. My only real problem with it is that this particular model does not have a line out other than the headphone out, which disconnects the speaker. Beyond that, the downsides are just the realities of a 90-watt combo amp.

I definitely did not get a lemon. In fact I got a self-healing one. I use it for practice sometimes. I like it and even asked for a club number. (Still waiting.) Definitely not a hater. That said, shop around.

--Bomb :bassist:
 
I owned the 300 watt head for about 3 years, never had a single problem with it. Took it to a couple of "band wars" as the amp to be used by everyone, and not a single complaint. Actually traded it for a 65 bassman if I recall correctly, and the guy that I traded with is sill using the amp to this day. Reliability problems, in my case = 0. Basically, buy one, push it to the limit and see if it blows under warranty... if it doesn´t, then it will serve you well for a long time. BTW, singe then I´ve been using an SVT all tube, one of the old ones, not a CL or reissue.
 
I had one of those Behringer 300 watt heads for a while.I got it when one of my power amps crapped out & I needed a spare.Think it was a $198.00.
The volume & tone pots were cheezy but I popped it open & looked inside & saw toshiba transistors & a pretty heavy transformer.(I can't repair this stuff but I know enough to be dangerous.)The thing was heavy for it's size.(maybe over 30 lbs.)
It worked fine.I didn't use it much & had to fiddle with it to get it to sound good.Even with a good quality cabinet you couldn't get sweet highs or that nice low end bloom.The preamp was crappy.Loud,though!I got rid of it after a year.It's still working fine.
Behringer's hit or miss.I've bought a few things & had to take some of the stuff back(Europower power amp.Hot dang! 2400 watts bridged!Sounded great for 1 gig,crapped out the next)
I'm friendly with a guy who works for a big music store in town.They sell tons of Behringer.If Behringer makes it they probably got it.He calls their stuff "Disposable gear.All of it!"
If you can afford better seek out better.If price is holding you back look used.Behringer's a crapshoot
 
"Disposable gear.
It is.

Behringer is that company that makes stuff that aesthetically emulates mid to higher end gear. So when you see it (if you are uninformed) it actually looks higher end. I think Behringer makes a MINT off the uninformed. A-B any of their gear against the original manufacturer they copied off. I'm quite confident you'll hear that there is a reason their stuff sells for pennies in comparison. For newcomers, or those down on coin, it's great stuff. For others, it's not.

Seriously, buy good used gear. Prolly around the same price, and most likely the used gear will outlive the Behringer crap anyway.

YMMV and all that crap, but as a whole, Berhinger is entry level gear. Find me one successful, touring band that uses any Berhinger stuff. Can't? There's a good reason for it.
 
YMMV and all that crap, but as a whole, Berhinger is entry level gear. Find me one successful, touring band that uses any Berhinger stuff. Can't? There's a good reason for it.



As much as I rather not say this

Alice Cooper [Invalid or Expired Link Removed]


Helloween [Invalid or Expired Link Removed]

german power metal band that is fairly mainstream in Germany, succesful touring act too
 
180 W Combo
1x12" Aluminum Cone
7 Band Eq
XLR Out
2 channels with independent gains
Compression and Ultrabass (octave effect)
Kick Back cab

I use this as a practice amp in my little "bass"ment studio. I do some light recording with it too. I got the amp about a year ago new. It has performed well, with a few hiccups. It died on me one night, when I was pushing it a little hard. It turns out, one of the speaker leads from the amp to the cone was not soldered correctly. I fixed it, and I have not had any problems. I would have sent it off to fixed under warranty... but at the time I needed the amp the next day.

Most of the complaints about Behringer amplification seems to center around the speakers... specifically they seem to have a problem with quality control. So it is hit or miss.

Honestly, it is a great practice amp. It can hold it's own in my basement when playing with a drummer. I might use it in coffee house or something like that for an "acoustic" set. It really isn't made for gigging in a larger setting... not enough power.

Sound quality is average. It doesn't sound terrible, but it doesn't sound spectacular. This might be a great second amp for a starting bassist, if your first was a 15W amp the size of milk crate. This is also a great alternative to firing up your 750 watt Tower Of Doom just to practice some scales and do some metronome work.

I would not buy Behringer amplification again. However, I do use their mixers. I am a big fan of their audio production equipment. I have had two Mackie sound boards fail on me (one during a live broadcast!). I have never had a problem with a Behringer sound mixer.

Sorry for the long post... lots of people trash Behringer... sometimes rightfully so. I feel that personal experience is better than a one line post like "Behringer sucks- go buy a $10,000 Thunderfunk".
 
A lot of pro guys use their DI'S & eq's. I've had good luck with the cheap small mixers & a microphone{really didn't expect it to be any good.But it was).
But,I've seen a lot of the stuff tank(power amps,bass cabinets,built in effects processors in some boards,& two powered mixers}.Not just stuff I owned but house systems in bars,clubs,churches,etc.People are attracted to it because of the price.I'm still willing to roll the dice on some of their stuff even.A lot of it is built cheapthough.Check your warranty & carry a backup at a gig.
 
Talk to some pros and/or scour TB and you will find that there is a lot of used professional gear available. This stuff will retain it's value and you will be able to sell it for close, within reason, what you paid for it. It will be reliable and was originally designed to function as a pro piece gig after gig. B was designed to make money for it's owners by making gear that is like other gear and fits a price point. They've achieved this through inexpensive components and less stringent quality control. If the failure rate of resistors in your amp is 50% than 50% of your resistors could fail and there is a 50/50 chance that your amp will function at anytime. Some car companies choose components that have a failure rate at -100. These are the cars that people will say my " " never breaks down.
 
When I was shopping for my first rig, I looked at Behringer (they were running the BX4500 300 watt head and BB410 cab for around $550). I did some research here, checked the classifieds here and on craigslist, and got a GK Backline 600 head and Aguilar cab for $450 used.

Take your time, shop around. You will find some very good used gear and be happier in the long run.
 

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