In Mill Valley? Hmm, I thought they'd have fantastic P.A.systems there! Lol!Guess you're playing fancier places than me. Many of my gigs these days only have PA support for vocals etc.
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In Mill Valley? Hmm, I thought they'd have fantastic P.A.systems there! Lol!Guess you're playing fancier places than me. Many of my gigs these days only have PA support for vocals etc.
In every situation I have played in the last several years FOH has controlled the bass, volume and tone. My stage amp, when I have occasion to use one, serves as my personal monitor. This is not only on big stages but also in small clubs when band leader provides sound and mix. FOH always wants the stage volume down so they can control the mix. And yet, it seems almost every day, a new bass amp is out.
Thoughts?
Uh yeah, maybe if I was gigging here. There’s one venue here, and yes it does have a fantastic PA. Most of my gigs are in SF, San Jose, Pacifica, etc.In Mill Valley? Hmm, I thought they'd have fantastic P.A.systems there! Lol!
Bass amps are not simply about convenience and/or practicality (or the lack thereof) for many of us.
I simply enjoy hearing myself through speakers. When I can, I will bring an amp. If I can get away with it, I'll bring an Ampeg SVT. The sound of that heavy beast makes me smile.
They absolutely will be less common in a decade or so. We'll probably all have wireless basses with transmitters you can't see that send a signal directly to the computer used to run sound (that is the size of a pack of gum). Every audience member will be wearing headphones (tiny earbuds) that allow them to control the volume of their live band. Take out your earbuds and all you will hear are people talking and the sound of sticks hitting electronic drums pads. Your average bar will sound like a library until you put in earbuds.
So, not yet... but it's coming.
In every situation I have played in the last several years FOH has controlled the bass, volume and tone. My stage amp, when I have occasion to use one, serves as my personal monitor. This is not only on big stages but also in small clubs when band leader provides sound and mix. FOH always wants the stage volume down so they can control the mix. And yet, it seems almost every day, a new bass amp is out.
Thoughts?
As a pro bassist, on the road, I haven't had an amp with my touring band for over four years. In ear monitors means I don't need an on stage amp for reference. And with IEM the drums are SO MUCH QUIETER, I can dial in a mix that sounds like a CD, but with my bass and vocals bumped about 5 dB, and all about about equivalent of 80 dB. My hearing is saved a little every show. As a recording engineer I know that the sound from an amp creates comb filtering when it combines with the FOH speakers that are in a different position causing significant phase cancellations. So FOH engineers love it when I say, "no amp, just DI". I do have a Mark Bass 800 and SWR SM400 head with three different cab configurations that I use for with bands that are not run through FOH.In every situation I have played in the last several years FOH has controlled the bass, volume and tone. My stage amp, when I have occasion to use one, serves as my personal monitor. This is not only on big stages but also in small clubs when band leader provides sound and mix. FOH always wants the stage volume down so they can control the mix. And yet, it seems almost every day, a new bass amp is out.
Thoughts?
Bass amps are not simply about convenience and/or practicality (or the lack thereof) for many of us.
I simply enjoy hearing myself through speakers. When I can, I will bring an amp. If I can get away with it, I'll bring an Ampeg SVT. The sound of that heavy beast makes me smile.
They absolutely will be less common in a decade or so. We'll probably all have wireless basses with transmitters you can't see that send a signal directly to the computer used to run sound (that is the size of a pack of gum). Every audience member will be wearing headphones (tiny earbuds) that allow them to control the volume of their live band. Take out your earbuds and all you will hear are people talking and the sound of sticks hitting electronic drums pads. Your average bar will sound like a library until you put in earbuds.
So, not yet... but it's coming.
Obsolete? I don't think so!
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Yes, you can do gigs ampless with a good PA. I just did a string of gigs ampless because that's what the guy I was subbing for did and I wanted to keep the vibe. But I would so much rather have an amp behind me. My amp isn't just a monitor. It's also how everyone else on stage and the first few rows hears me, and it defines what I want in the PA. It's also running to the PA a lot of the time. Do I enjoy loading out more ampless? Yes I doBut some of my gigs go on for hours, and I'd much rather listen to my bass coming out of something good than earbuds and a Buttkicker, so it's worth it to me.
I run a 200 watt Rumble through 2 GK15 boxes stacked up so I can hear them, wireless so I can move around to find the bass/kick sweet spot...sound guy hasn't quite gotten there.It's nice to have the amp behind you, but between losing that, or dealing with stages that are too loud, I'll deal with it.
Check out the QSC K.2 Series. One of the DSP presets is Bass Guitar, and it comes in 8, 10, and 12-inch woofer flavors.My big amps stay at home now. We run everything through the FOH (our own mix that we send to FOH). I bring a little Ampeg B-115 to gigs for my stage monitor. The guitar player in our band doesn't even use an amp. He runs through his HeadRush into the FOH and a powered FRFR speaker for a monitor. Once I can find an FRFR that gives the type of bass response I want, I'll be ditching my amp as well.