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Are Greenboy/Barefaced too clean? What do I even get????

I have been considering both brands, particularly a single F112 or Big Baby 2, but am now at a stalemate. I recently had the opportunity to try a Vanderkley 212 and 112, but was very disappointed by them. It found them very dull sounding through the same brand amplifier that was connected to it. Were they too clean sounding??? I just sold my EBS Neo112, a cabinet that I really liked apart from some flaws, but I took distance from to try something new.

TL;DR: what do I get (preferably Europe based) if I really liked the EBS Neo112, but want something that can handle a B string, provide some serious tight lows and move some air for that visceral effect of getting slapped in the face when digging in. I would prefer a single 112 for portability and affordability. So far I am leaning towards the Greenboy F112 for the tilt design and 3-way construction.

More info for the keen reader. Here is a mail I sent to Alex from Barefaced to explain:

Hi Alex, If the financial situation allows, I am interested in changing my speaker cabinet set-up. After the EBS Taurus combo, I have always played over the same amp, a GK 700rb-II. This is what I've owned in chronological order:

- EBS Taurus 210 Combo: OK sound, but a bit lacking in bottom and harsh on top. I think this was more an issue because of the integrated amp.
- Peavey TVX410: pretty loud and bassy. Very dry and boring sound.
- EBS Proline 210: sounded alot more "premium". My basses just sounded better, but lows were a bit boomy. Very pleasant, musical highs (and high mids?).
- EBS Neoline 112: sounded less wide than the 210, but still had that "premium" characteristic. Lows were less (read: less than I would like), but also a bit tighter. Still very pleasant highs. This cab really starts to shine at higher volumes.

I have also played, but not owned, several Ampeg cabinets which were nice and gritty, but lacked the refinement and musical touch I like in the EBS's. I have also played my brothers' GK MB112 combo which sounds a bit narrow, but is also very pleasing to the ears. Compared to any other 112 combo's in the stores this one was definitely the best sounding to our ears (compared to Fender, TC, EBS, Ampeg, Markbass, Hartke). I am considering adding either a second Neo112 or selling mine and getting a single other cabinet. What I am missing in my cabinet, but have experienced over others, is that air pressure you can feel when playing tight notes or slapping/popping. There is just something very satisfying about getting smacked in the face by your speaker cabinet, if you catch my drift. Also, the Neo112 is a bit light on bass frequencies. I estimate these two aformentioned things must be related. What I definitely like about the EBS are the pleasant, musical highs. So to summarise, I am interested in a cabinet that really packs a punch (in the face) and moves some air, has pleasant highs, but also growls in the lows. My preferred size is 112, so the Big Baby drew my attention. I like the portability of a 112 compared to a 115, but you can still (generally, naturally not always) benefit from the advantages of a larger cone size compared to a 110. I generally play very allround in a pop choir, but I expect to be in a band again at one point which will most likely be modern metal. Thanks for your advice!
 
You were disappointed by Vanderkley? I think they sound pretty good.

I'd suggest you drop the 1 cab rule and add another EBS Neo112. The sound you like but bigger and better.
 
FWIW, when I auditioned my first Fearless, an F112, with my 700RB-ii, the sound was anything but dull. In fact, to my ears the combination was a perfect match for my tonal preferences.

The cab itself is very clean yes, but any harmonic excitement I want coming from my rig before the cab anyways. Your 700RB should be great for that.

In the end, I went with an F115 due to it being a more powerful single-cab solution, and have been more than satisfied ever since. The excitement I get from hearing myself through it still hasn't worn off.
 
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I have been considering both brands, particularly a single F112 or Big Baby 2, but am now at a stalemate. I recently had the opportunity to try a Vanderkley 212 and 112, but was very disappointed by them. It found them very dull sounding through the same brand amplifier that was connected to it. Were they too clean sounding??? I just sold my EBS Neo112, a cabinet that I really liked apart from some flaws, but I took distance from to try something new.

TL;DR: what do I get (preferably Europe based) if I really liked the EBS Neo112, but want something that can handle a B string, provide some serious tight lows and move some air for that visceral effect of getting slapped in the face when digging in. I would prefer a single 112 for portability and affordability. So far I am leaning towards the Greenboy F112 for the tilt design and 3-way construction.

More info for the keen reader. Here is a mail I sent to Alex from Barefaced to explain:

Hi Alex, If the financial situation allows, I am interested in changing my speaker cabinet set-up. After the EBS Taurus combo, I have always played over the same amp, a GK 700rb-II. This is what I've owned in chronological order:

- EBS Taurus 210 Combo: OK sound, but a bit lacking in bottom and harsh on top. I think this was more an issue because of the integrated amp.
- Peavey TVX410: pretty loud and bassy. Very dry and boring sound.
- EBS Proline 210: sounded alot more "premium". My basses just sounded better, but lows were a bit boomy. Very pleasant, musical highs (and high mids?).
- EBS Neoline 112: sounded less wide than the 210, but still had that "premium" characteristic. Lows were less (read: less than I would like), but also a bit tighter. Still very pleasant highs. This cab really starts to shine at higher volumes.

I have also played, but not owned, several Ampeg cabinets which were nice and gritty, but lacked the refinement and musical touch I like in the EBS's. I have also played my brothers' GK MB112 combo which sounds a bit narrow, but is also very pleasing to the ears. Compared to any other 112 combo's in the stores this one was definitely the best sounding to our ears (compared to Fender, TC, EBS, Ampeg, Markbass, Hartke). I am considering adding either a second Neo112 or selling mine and getting a single other cabinet. What I am missing in my cabinet, but have experienced over others, is that air pressure you can feel when playing tight notes or slapping/popping. There is just something very satisfying about getting smacked in the face by your speaker cabinet, if you catch my drift. Also, the Neo112 is a bit light on bass frequencies. I estimate these two aformentioned things must be related. What I definitely like about the EBS are the pleasant, musical highs. So to summarise, I am interested in a cabinet that really packs a punch (in the face) and moves some air, has pleasant highs, but also growls in the lows. My preferred size is 112, so the Big Baby drew my attention. I like the portability of a 112 compared to a 115, but you can still (generally, naturally not always) benefit from the advantages of a larger cone size compared to a 110. I generally play very allround in a pop choir, but I expect to be in a band again at one point which will most likely be modern metal. Thanks for your advice!
The common denominator in your quest is your amp.

I suggest upgrading your amp and adding more eq options like an HPF/LPF, programmable eq, cab sim pre-amp and the like so you can beat any amp or cab into submission.

Or maybe just get a power amp with dsp and use a pre with it.

It sounds like you know what you want but by limiting your choices you're not achieving your goals.

For me, Playing through different backlines at a rehearsal studio, my HPF keeps the low end tight and I use the 3 band eq on my active bass to get the tone I want out of whatever amp is there. I pretty much leave the backline rig alone.

Also remember, that sitting well in the mix at gigs is a different tonal goal, possibly requiring more extreme equalizing due to venue aberrations than other, less taxing environments.

Here's an option: pick up a pre/eq and couple of Barefaced 600w powered cabs and a 1200w powered sub so you can win the metal volume wars with your guitar players.

And, you'll still have a 1x12 for your smaller gigs. Win-win!
 
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Thanks everyone.

You were disappointed by Vanderkley? I think they sound pretty good.

I'd suggest you drop the 1 cab rule and add another EBS Neo112. The sound you like but bigger and better.

I considered this option, but decided the speaker was inherently not up to snuff. I might consider a 212 depending on what I will get in to and how many funds I have.

Modern metal with a 1x12? Blasphemy!

FWIW, when I auditioned my first Fearless, an F112, with my 700RB-ii, the sound was anything but dull. In fact, to my ears the combination was a perfect match for my tonal preferences.

The cab itself is very clean yes, but any harmonic excitement I want coming from my rig before the cab anyways. Your 700RB should be great for that.

In the end, I went with an F115 due to it being a more powerful single-cab solution, and have been more than satisfied ever since. The excitement I get from hearing myself through it still hasn't worn off.

Thanks for providing a real life example. This sounds promising.

Full range hi-fi vs. more mid punch, or accentuated bass (from many dedicated bass cabs)

Sorry, I don't quite understand your post.

The common denominator in your quest is your amp.

I suggest upgrading your amp and adding more eq options like an HPF/LPF, programmable eq, cab sim pre-amp and the like so you can beat any amp or cab into submission.

Or maybe just get a power amp with dsp and use a pre with it.

It sounds like you know what you want but by limiting your choices you're not achieving your goals.

For me, Playing through different backlines at a rehearsal studio, my HPF keeps the low end tight and I use the 3 band eq on my active bass to get the tone I want out of whatever amp is there. I pretty much leave the backline rig alone.

Also remember, that sitting well in the mix at gigs is a different tonal goal, possibly requiring more extreme equalizing due to venue aberrations than other, less taxing environments.

Here's an option: pick up a pre/eq and couple of Barefaced 600w powered cabs and a 1200w powered sub so you can win the metal volume wars with your guitar players.

And, you'll still have a 1x12 for your smaller gigs. Win-win!

Sounds very costly :). Thanks for the detailled reply. I will delve into your suggestion of adding a filter.

The best “colored” cab I have played is the barefaced 10s. Just magic in the mix!

Are these not vintage voiced?
 
I had a Greenboy Fearful 12/6. Great cab but my back is deteriorating so sold it and replaced with a Barefaced Super Midget and a clone. All amazing cabs, what you put in is what you get out. I could not say BF is better than GB, but it's lighter and more manageable for my situation. Both brands are better, IMO, than all the common commercial brands.
 
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Just to note: I just ordered a F112 with Guy from Tricky Audio. I don't think someone ever replied to my mails in such quick fashion, during the weekend even. It's a bit of a gamble, but the three-way design, tilt-option and some of your opinions swayed me. I'll post a picture when it's in.

Awesome. Thinking back that that first audition I had with an F112 and my 700RB, I'm excited for you. For my taste at least, I was expecting to need to adjust my settings on the amp to get a sound I liked - many people say that you need to EQ differently for these cabs. However, I tossed my amp on top, had EQ more or less nooned, started playing and was immediately satisfied.

I never really did feel the need to adjust my EQ specifically for my Fearless. If anything, the Fearless is just the tone I was chasing all along and had finally found it. Here's hoping that you're experience goes just as well. :)