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Are onboard preamps mandatory for 5-string basses?

Do 5-string basses benefit more from having onboard preamps than 4-string basses?

  • Yes

    Votes: 33 19.5%
  • No

    Votes: 136 80.5%

  • Total voters
    169
Mar 30, 2023
1,449
2,317
I've often heard that five-string basses greatly benefit from having onboard preamps, because they give you more headroom and control to shape the B string.

Of course they are not mandatory, and plenty of respected brands make passive five-string basses. But I wouldn't be surprised to learn that active five-string basses outnumber passive ones, although I suppose this isn't necessarily indicative of five-string basses benefiting from having onboard preamps. It could be that music that requires those five extra low notes calls for the cleaner, more-modern tone of active basses.

But that aside, do five-string basses really benefit more from having onboard preamps than four-string basses?
 
My Fender Precision 5-string is passive and sound fine with no preamp. Sounds great, in fact.

I do like my Stingray Special 5-string having a preamp as that's how they were intended.

And if I were to have a 5-string Jazz bass, it would most very likely have a preamp of some kind.

But absolutely no plans whatsoever for a preamp in my Fender P5.
 
My Fender Precision 5-string is passive and sound fine with no preamp. Sounds great, in fact.

I do like my Stingray Special 5-string having a preamp as that's how they were intended.

And if I were to have a 5-string Jazz bass, it would most very likely have a preamp of some kind.

But absolutely no plans whatsoever for a preamp in my Fender P5.
Same here. I did throw a Nordstrand pickup and tone drop in it though.
 
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Personally, I prefer a passive 5-string over active ones. The sound is more organic. In fact, I made the conscious move to passive 5s, simply because active 5s sound too processed.

Keep in mind, the value of a 5-string is not just the extra low notes. Sure, an open B can shake the room. But the real value of a 5-string is economy of movement and the ability to play the money notes around the 5th fret. With that in mind, active or passive electronics become a personal tone preference.

For me, I only own passive 5s. If I want the ability to boost frequencies, I can add a preamp pedal. But I rarely do. :thumbsup:
 
The on-board preamp gives you a higher output (typically) and the ability to boost specific frequencies instead of only cutting them. If you don't like to use on-board controls, or don't know how to adjust EQ to dial in your sound, then all it's doing is boosting your instrument output level, which isn't required for any bass, B-string or otherwise.

That being said, the B-string can give you some issues that you don't find on E and above, so if you DO know how to shape your tone, that active control can be a nice tool to help you balance the instrument out so all your strings come through evenly. I've heard so many 5-string players who hit that low B and it sounds like a totally different instrument, personally, I hate that sound.
 
In general I have preferred active basses. That doesn't mean active is mandatory. Lot's of people think active basses suck.

Play a bunch of basses and choose what you like without consideration of active VS passive. Maybe you will be surprised. AFAIK the Fender Roscoe Beck 5 is passive. IMHO :drool:.
 
I have been mainly sticking to passive 5’s these days and loving it a lot more after decades on straight active only 5’s.

Plus, the preamp can be whatever you want for all of your basses outboard. It gives you some nice consistency. I have always liked something about having a tone knob too.
 
I voted yes.
I always liked the clean precise tone of active basses and the massive output level I get to enter the stomp.
My Sadowsky jazz is always on active mode and the B string shake the room walls like I like it!
I've long been looking for a PJ 5 that would be nice enough to compete with the Sadowsky but in my price range it was difficult to find. Atelier Z seems to do only jazz style at the moment. I finally found an awesome Blacksmocker that could do, but it is passive (2vols - 2 tones) so I put an outboard Sadowsky preamp first in line in the pedalboard and now, I got the best combo I've ever had!
🥰😍🤩
 
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All depends on the bass. I've got three fivers: Sadowsky PJ5--sounds killer both passive and active(though I favor active 'cause "the Sadowsky Sound";) but passive I get a great classic P sound with the Nordies I have in it). G&L JB5--passive, sounds great (I often use an external pre for it but it's not because it lacks anything on its own--just a great passive Jazz with a solid B string). G&L Kiloton 5, passive--this one IME needs some help to boost some lows due to the single bridge-ward pickup, so it always gets an outboard pre--would not suck to have a built-in pre in it but I may find that the case even with the four string so probably not fiver specific. Some people get a totally great sound with them au natural though.
I previously had a very early Dingwall AB1, passive, and that bass did not need anything...
 
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