That's quite a few. I am glad I haven't kept count lolWell, I've owned more than 130 basses over the years.
I now own and play just 3 Sadowsky's. That ought tell you something.
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That's quite a few. I am glad I haven't kept count lolWell, I've owned more than 130 basses over the years.
I now own and play just 3 Sadowsky's. That ought tell you something.
My Japanese Metro MV5 is everything a Fender is supposed to be but never is.I am not qualified to address the NYC offerings but I've had 6 Metro's in my life..
Remember when they came out they were branded as an option for someone who did not need the finish or hardware options or chambering NYC offers?
With that in mind of the 6 I've had 3 of were solid, with no issues but I always thought the NYC's must be better then these.
I've had 2 duds. One, when they first came out that had fret issues. I did not even think to contact Sadowsky. I should have, they probably would have made it right. The other one was used bought online and not as described. At over 10lbs, with electronic issues, no fault of the manufacturer- just a dud for me.
Then we have my current Metro... this bass is exceptional in every way. The seller says it is probably one of the last to be made in Japan. Very resonant, great weight and balance and so playable! It makes my Fender Am Pro II J feel like a toy. Dead quiet, and with the pre you have so much flexibility at your fingertips. This bass leaves me wondering how an NYC could be any better then this one!
I have run the DI pedal for the last 5 years on my other basses, but i much prefer the onboard.
Just a well thought out working mans tool.
My Japanese Metro MV5 is everything a Fender is supposed to be but never is.
I love Fenders but Sads are just next level.No doubt. My biggest complaint is noise. At any price point I've never had a Fender that was not noisy
...and at their price point they had better be.I love Fenders but Sads are just next level.
You could say the same thing about Mike Lulls at this point.
Well, I've owned more than 130 basses over the years.
I now own and play just 3 Sadowsky's. That ought tell you something.
The best bass I've ever had is my current Sadowsky
My understanding is the basses are made over seas and then he just puts them together in Brooklyn.
To me they just seem to be enhanced Fender jazz basses.
Come on Spidey...You can't just say you like yours, you have to bad mouth someone else's! That's the way forums work now.Japanese MV4 owner... not overated, just right... for me. Love playing it.
Come on Spidey...You can't just say you like yours, you have to bad mouth someone else's! That's the way forums work now.
I am older and wiser now. The Sadowsky quality control I find is better than Fender. The attention to detail is really excellent. The pickups have a little more open clear sound while still having a Fenderish vibe to it. I like the active preamp alot which Mr. Aguilar helped design and I love the Tone Hammer amps and pedals.Granted they are good bass guitars, and people like Will Lee and others would not play them if they did not like them. My understanding is the basses are made over seas and then he just puts them together in Brooklyn.
To me they just seem to be enhanced Fender jazz basses. I know Fender also makes jazz basses with active electronics for under $2,000 that appear to be just as good as the Sadowsky's. I played their Metro basses and thought they were good but I was not blown away by their sound or quality. They actually sound similar to the Fender sound, but the active electronics help it sound a little more modern. Am I missing something here?