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Sabres are magic. That’s a solid fact.I consider my fretless '79 Sabre to be timeless, but that's more about my playing than anything else. Kidding aside, while it's very much of its time, its tone is timeless for me.
But yeah, Fender Ps and Js would seem to define timelessness for basses to me. They're ubiquitous and while they've fallen into and out of fashion, from an industry standpoint, they're simply bedrock first-principles instruments.
I think it's partially a generational thing. I think the test is this: if you ask someone to name the most iconic non-fender bass you will get different answers based on age and musical taste. I see a lot of TBers say Ric or Hofner. I would say a Spector, other people my age might say EBMM, Warwick or even Ken Smith or MTD. Some younger players might even say Ibanez.It's funny, Guy Pratt mentioned in an SBL video that he thought the Spector NS-2 was "of a time" (dated) in comparison to, say, his Betsy Jazz bass.
For me, Spector still makes my favorite basses, but it's true that the Jazz was en vogue before that era and after that era... a Jazz and a Precision will be timeless as long as electric bass matters.
So I agree that the Jazz and P-Bass are timeless, and I can't think of a ton of others. Maybe a Ric??
I agree.I think this is the first thread where everyone agreed?
You are right, I i exaggerated its transformation... a little. But, the Les Paul's dropping sales was the reason for Gibson's decision and if it weren't for a new musical style created by a few masterful players it would never have returned in its original form.Not sure the Les Paul transformed into the SG, more they decided to make a totally different guitar and re-used the name. A classic case of misreading the market. But as it never really went away I think timeless with a brief interval![]()
To me, "timeless" suggests consistent dominance,
Because they never made a real "icon" bass model, despite the excellent quality of most of their models (no question about this). Same of Ibanez, Yamaha, Ken Smith, Alembic or Sadowsky, just disregarding the price factor, My opinion...Here’s a question- why hasn’t anyone mentioned G&L?
I first saw a Fender bass in 1971, (it was Gorgeous) at stage band practice, for every other musical group before that for 6 years, all acoustic, there were no fender basses including the local civic symphony, church with full Baroque organ, concert hall. Without the fragile power grid that thing is firewood. There are few instruments as associated with a specific and very finite time than bass guitar...There has never been a time when showing up with a Fender was a problem or lost you a gig. That seems pretty timeless to me
While I agree with what you posted, a little more context may be useful. As a long time player of PBs with thousands of gigs, countless rehearsals, hundreds of recording sessions under my belt, dealing with hundreds of sound engineers or soundmen over the years. and exclusively using round wound strings since 1977, I have never had a complaint, or even a suggestion to change my tone and or bass. Pretty much I’ve covered every genre with the exception of death metal, zip, zero negative comments as it was always spot on the money.I've been debating with a friend about whether any basses can truly be considered "timeless." He argues that the Fender Precision and Jazz fit the bill, but I disagree for several reasons.
To me, "timeless" suggests consistent dominance, but while the Precision and Jazz have always been in use, they haven’t always been the go-to choices. In the '80s, bassists gravitated toward StingRays, Steinbergers and Spectors. The '90s saw Warwicks take centre stage. These shifts suggest that bass trends come and go. The Precision with flatwound strings defined the '60s, but by the '70s and '80s, it had largely faded. It has made a resurgence, but will it still be everywhere in 2035? I have my doubts.
Another factor is how much the Precision and Jazz have evolved over the years. Yes, the core designs remain similar, but countless changes have been made—pickups, neck profiles, fretboard radius, tuners, bridges, preamps and more. My friend noted that David Gilmour primarily played Strats throughout his career, but even he made significant modifications—like switching to EMG pickups in the '80s—which drastically changed the instrument's character. A heavily modified Strat is hardly the same as a '60s model with single-coil pickups.
In that sense, I struggle to call anything physical "timeless." Stories, art, and music? Maybe. But basses? I’m not so sure.
What do you think?