Doug,
I know wheer you are coming from, but I respectfully disagree with some of your recommendations. First, a strong NO to the dreaded metronome. Stay away!. Time is an internal thing. Ari, you have a nice sense of time and feel, you don't need it. The feel is more important than the time, especially when playing solo.
Also, in my books I often talk about the muddiness in the lower register. In fact I think Doug might have taken that text right from my book. However, listening to your arrangement, I did not feel that it was muddy at all. If, and only if, you feel you need more clarity should you move it above the 10th fret. There is a beauty, as well, to play solo bass lower registers
BTW, I've posted 6 more videos, bass and percussion, chord melodies with and without looping.
Mike Dimin
Okay Mike, fair enough. I guess we come down on opposite sides of the age-old metronome debate, and Ari can make up his own mind about that. As I said, when playing solo one has license to take some liberties with the time, but by the same token, a solo bassist bears 100% responsibility for making the music groove.
+1 to onosson's comment about trying these arrangements on that Jazz bass, or any other bass with a bridge pickup. IMHO, it does sound a bit muddy on the P-bass. It's certainly good to utilize the full range of your instrument, but you'll find that intervals smaller than a 5th in the lower register will often sound bad, even when they are harmonically correct. I like to employ open strings under higher chord voicings to get a fuller sound when playing solo. And I swear I didn't lift any text from Mike's book!
