TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
I don’t disagree, but it was the OP that suggested one or the other. I’m merely suggesting to try the option that is about 10x less expensive first.I'd say comparing a push /pull series/parallel set up to a 3 or 4 band EQ with an active pre amp is apples and oranges.
I’ve been keeping that Jazz plate with passive tone in the back of my mind for two years. I’ve just decided that i will go for it after reading your post.I have 2 jazzes wired in series/parallel and 2 jazzes with audere’s. I prefer the Audere’s. They’re very versatile and uncolored. I started my preamp ventures with John East retro J’s and couldn’t stand how much they colored the tone in active mode. Sold them off. Then, I went to Audere Pro JZ’s with the Z-mode knob and 4 band EQ, Vol/Blend. I liked them a lot but never used the Z mode. So I sold both of those and for the Audere Jazz 4 band preamp with the passive tone knob. THAT preamp is perfect IMO.
I had a Standard Jazz with a side jack at one point as well. I put the standard Audere 4 band in that one. If you keep the tone between 50-75, simply rolling the active treble off and maybe pulling a tad of hi mids will probably net you similar results. You just won’t get that tone rolled off 100% thump tone.I’ve been keeping that Jazz plate with passive tone in the back of my mind for two years. I’ve just decided that i will go for it after reading your post.
If I like it enough, I will get another one for my fretless, but the fretless doesn’t have a side jack. I’d have to either drill it for the side jack or get the one w/o passive tone.
How does the active treble control sound when cut in comparison to the passive tone control? On the fretless, I typically keep the tone control at 50-75%.