The majority of my gigs are outside on wood stages or concrete. I have a Hartke 4x10XL and have been thinking about getting a Gramma to try out.
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I have used one for about 10 years and it is the best thing I own. On a hollow stage it works the best at taking out the overdriving low tones.
And on the ground I use it to get my amp up off the ground.
As with American express, I won't leave home without it.
I was looking through the live sound section and saw this thread was still alive.
I don't doubt that a Gramma pad type device does help mechanically (and somewhat acoustically) decouple cabs from wooden and/or hollow stages. My issue is the cost (what can I say, I am a cheap b**tard). If you have a materials shop anywhere near, you can basically replicate the Gramma pad by taking 2 pieces of foam with 2 different densities and composition, ie. closed cell urethane and poly olefin, and gluing them together with spray craft glue, and you will get pretty much the same effect as a Gramma pad. Doing it this way will save about %50 of the cost of a Gramma, you can size it any way you want and the foam almost all comes in stylish black/dark grey.
I have done this for cabs as well as to isolate tube heads on top of vibrating cabs.
enjoy!
s'all good brother, just saying that there are other ways to get the same thing done and cheaper.You are absolutely correct - You are a cheap B&^(&_(tard and I am a lazy B(^((+tard - So I bought one. Either way it works. LOL
s'all good brother, just saying that there are other ways to get the same thing done and cheaper.![]()
Tell me more about that...cool idea. I think..because I have no idea what you're talking aboutI just used a graphic EQ and an app with a pink noise generator and spectrum analyzer to identify the problem fequencies and tame them at a gig with an elevated plywood floor off of a concrete floor.