mikjans said:
Can somebody please straighten this out? Are EUBs off topic here? I can see a lot of other threads concerning such instruments, incl those that are more of the FEBGOAS kind (to use Bob Gollihur´s brilliant acronym - "fretless electric bass guitar on a stand").
If EUBs are off topic, I apologize for starting this thread. If not, I guess some people just have a bad bow hair day...
mik, if you're refering to me when you say what you said about someone "having a bad bow hair day" , I actually have more hair on my bow than I do on top of my head.
I admit that it sounds like i'm trying to ride you on this...I apologize if I came off that way, but I really am not. You had a legit question and as I said, I have no problems with that. As Sam says, if you dig around in the Archives and the search function, you'll find a ****load of stuff on Ampegs, including one where we talked about where Ampeg got it's name to begin with.
We joke alot about my age here on TBDB, because i'm one of the senior posters @ 63. I'm old enough to remember that the name of Ampeg came from the fact that their first product was an upright bass pick-up that was a microphone mounted on the end of the part of the end-pin shaft that is the extra length of the shaft that is inside the bass, which was called the 'PEG' in those days. Hence the name
Ampeg .

And, if you dug back far enough in the Archives of the old jazz magazine
Downbeat (one of our TBDBers said he has a bunch of old Downbeats laying around where he works.. I can't remember who it was)...maybe he could find one with an advertisement for
The Ampeg BabyBass with pictures and
endorsements by
Gary Karr with that rib/shoulder extension brace that Aleph mentions in his post, to help the bassist play in the upper positions! My man
Red Mitchell, and west coast jazz bassist,
Jimmy Bond. I'm not putting you on!!