For one he is too low in the mix. Maybe he can't project his voice, maybe it's just a soud issue. This means that:
a) We cannot hear a damn thing he says.
b) His timbre is pretty blah.
People don't realize that a singer who is too low in the mix can also get buried and sound like crap, like he has no voice, in the overall band sound. It was our main singer's problem when I first got in the band, he had no idea about singing technique and he thus sounded like all the crappy indie bands dudes: nasal, bad pitch and mumbly lyrics.
A bit of singing lessons and practice to really get his own voice so to speak, and everyone would be happy. The singer is not always the "achor" or the "shining" member: a lot of people with rough voices that made do with what they had are regarded as pretty damn legendary. Dylan is probably the best example, but Lenon, Hendrix and Lemmy all have recognizable, somewhat awkward voices (not angelic or particularly powerful) that they learned to make work in their musical context. Your singer just needs to do the same.
a) We cannot hear a damn thing he says.
b) His timbre is pretty blah.
People don't realize that a singer who is too low in the mix can also get buried and sound like crap, like he has no voice, in the overall band sound. It was our main singer's problem when I first got in the band, he had no idea about singing technique and he thus sounded like all the crappy indie bands dudes: nasal, bad pitch and mumbly lyrics.
A bit of singing lessons and practice to really get his own voice so to speak, and everyone would be happy. The singer is not always the "achor" or the "shining" member: a lot of people with rough voices that made do with what they had are regarded as pretty damn legendary. Dylan is probably the best example, but Lenon, Hendrix and Lemmy all have recognizable, somewhat awkward voices (not angelic or particularly powerful) that they learned to make work in their musical context. Your singer just needs to do the same.