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Band's Playlist Vent

Jan 14, 2016
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13,029
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Sacramento, CA
This is just a vent. Not looking for advise or anything - I know it's in my power to decide that something's not a good fit and act on it. (This is not the case - at least not yet...)

Still rather new to my band (6 full gigs), I'm still trying to figure out the politics and the overall flow. We haven't rehearsed much (don't rehearse the weeks we have a gig), so have just had gigs to figure out the other members. We have about 75 total songs on out playlist, with about 50 being used at any given gig. We do a mixture of real classic rock (60/70s) , 80s rock, "newer" rock and newer country. No real musical identity except we aim for danceable stuff.

Response (ie dancing) at our gigs tend to run very hot or very cold - out last two gigs, the dance floor was packed at least most of the night. The previous gigs never saw more then 6 people dancing at once and the floor was empty most of the time. The audience seems to enjoy us in general - I can see people grooving at their seats or singing along and we usually get a bit more than a polite applause for most tunes.

We have a couple of months with nothing scheduled, so we'll be able to get some rehearsals in. The BL sent out an Email last week with a list of songs he'd like to see us work out during this time. A couple of 70s rock songs, but the rest are all newer stuff. He asked for responses, and I did indicating my preferences and asked if maybe it might be a good idea to have a band meeting to talk about our playlist in general - maybe weed out a few that we don't do well and talk about what direction to go for new songs. I'm not much for politicking, but I have had some brief conversations with individual members at gigs and I'm not convinced that we all want to continue to try to pull off newer songs, when as a rule we don't really do that well. We are mostly a bunch of crusty old folks with our youngest being appx. 45. We tend to shine on the classics and 80s stuff and a couple of the newer songs, yet the BL thinks doing newer songs will attract more people. In my limited time, the dance floor is proving differently.

I got a response from the BL indicating that his experience has been that meetings are pointless. Lead guitarists wants to be more of a hired gun ("just tell me what to do") and the lead vox is resistant to change. According to the BL she is hard pressed to try new songs, but often ends up liking them a lot after pressed to do so. So her in a meeting is just going to be mild confrontation. The guitar/sound guy was amiable to a meeting, but I never heard a peep from the other two. It just seemed to me it would be easier for everyone to talk together rather than him weeding through - and providing edited responses to us all. But I guess he'd rather do it the hard way.

I had actually rather hoped that we'd spend the time going over the songs we don't do much and work on tightening up what we do do - we need a lot of this. But the BL unilaterally decided that we need new songs. My opinion is that we'll have better opportunities if we sound our best on every song - even if that means doing older stuff - rather than trying to pretend we're cool to the kids. I think couple of others agree with me, a least a little. But the BL is my primary point of contact, so all I really get is his story of what "we" all want.

So basically, I'm gong to do my best to just be like the lead guitar and fight my natural instinct to come in and organize things. It's too bad - we have enough talent to be a band I'm proud of, but I don't think we'll ever get there because everybody is afraid to sit down and talk about their preferences.

Vent over, thanks for listening....
 
I joined my first band about 5 years ago at 50 years old. From guitarist and drummer quitting we have done probably 6 gigs total. My friend the guitarist is about 10 years older than me & wants to play way to old songs. I am hoping to talk him into more modern material before getting a drummer and lead guitarist . If he doesn't then I am out. My whole point is that you need to step up and be heard or you will be miserable
 
I don't think we'll ever get there because everybody is afraid to sit down and talk about their preferences
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My whole point is that you need to step up and be heard or you will be miserable

try concise, direct communication. if you have to put it in writing (because BL doesn't want meetings) then do so. ask that everyone who gets your communications let you know that they are aware of your thinking (whether or not they agree). accept the feedback for what it is. make decisions for yourself accordingly. and remember: a bird in the hand.....

good luck with your project! :thumbsup:
 
I joined my first band about 5 years ago at 50 years old. From guitarist and drummer quitting we have done probably 6 gigs total. My friend the guitarist is about 10 years older than me & wants to play way to old songs. I am hoping to talk him into more modern material before getting a drummer and lead guitarist . If he doesn't then I am out. My whole point is that you need to step up and be heard or you will be miserable
Thanks, but it won't get to that. They have their way and it works for them. I'm learning that my view on this subject isn't particularly welcome. Fine, I'll just go with the flow and they just won't get all that I can offer from an organizational point of view. I'll move along if it gets to be a problem. I can tolerate a lot right now, as I'm primarily staying with them to build a "stage" resume - plus we're having fun.
 
This is just a vent. Not looking for advise or anything - I know it's in my power to decide that something's not a good fit and act on it. (This is not the case - at least not yet...)

Still rather new to my band (6 full gigs), I'm still trying to figure out the politics and the overall flow. We haven't rehearsed much (don't rehearse the weeks we have a gig), so have just had gigs to figure out the other members. We have about 75 total songs on out playlist, with about 50 being used at any given gig. We do a mixture of real classic rock (60/70s) , 80s rock, "newer" rock and newer country. No real musical identity except we aim for danceable stuff.

Response (ie dancing) at our gigs tend to run very hot or very cold - out last two gigs, the dance floor was packed at least most of the night. The previous gigs never saw more then 6 people dancing at once and the floor was empty most of the time. The audience seems to enjoy us in general - I can see people grooving at their seats or singing along and we usually get a bit more than a polite applause for most tunes.

We have a couple of months with nothing scheduled, so we'll be able to get some rehearsals in. The BL sent out an Email last week with a list of songs he'd like to see us work out during this time. A couple of 70s rock songs, but the rest are all newer stuff. He asked for responses, and I did indicating my preferences and asked if maybe it might be a good idea to have a band meeting to talk about our playlist in general - maybe weed out a few that we don't do well and talk about what direction to go for new songs. I'm not much for politicking, but I have had some brief conversations with individual members at gigs and I'm not convinced that we all want to continue to try to pull off newer songs, when as a rule we don't really do that well. We are mostly a bunch of crusty old folks with our youngest being appx. 45. We tend to shine on the classics and 80s stuff and a couple of the newer songs, yet the BL thinks doing newer songs will attract more people. In my limited time, the dance floor is proving differently.

I got a response from the BL indicating that his experience has been that meetings are pointless. Lead guitarists wants to be more of a hired gun ("just tell me what to do") and the lead vox is resistant to change. According to the BL she is hard pressed to try new songs, but often ends up liking them a lot after pressed to do so. So her in a meeting is just going to be mild confrontation. The guitar/sound guy was amiable to a meeting, but I never heard a peep from the other two. It just seemed to me it would be easier for everyone to talk together rather than him weeding through - and providing edited responses to us all. But I guess he'd rather do it the hard way.

I had actually rather hoped that we'd spend the time going over the songs we don't do much and work on tightening up what we do do - we need a lot of this. But the BL unilaterally decided that we need new songs. My opinion is that we'll have better opportunities if we sound our best on every song - even if that means doing older stuff - rather than trying to pretend we're cool to the kids. I think couple of others agree with me, a least a little. But the BL is my primary point of contact, so all I really get is his story of what "we" all want.

So basically, I'm gong to do my best to just be like the lead guitar and fight my natural instinct to come in and organize things. It's too bad - we have enough talent to be a band I'm proud of, but I don't think we'll ever get there because everybody is afraid to sit down and talk about their preferences.

Vent over, thanks for listening....

I'm finding that bands sort of settle into a permanent modus operandi after a certain length of time together. It can take a monster force of nature to break those habits, which usual relate to lax rehearsal and not really talking about the direction much except listening to the established BL. You are apparently learning what that all looks like for this group, which is not usually apparent until after a little time with a band. Probably wise to take on a hired gun mentality with this one.
 
Any new songs should be run by the Singer first, and if they are interested in learning it, see where everyone else is. It seems a little lazy to say, "I'm too old to learn new songs". You either have the time or you don't.

I agree with this except I hate when singers only Lear the songs they want. Then you are just their backing track. Not all are like that though.

Every band needs to learn new songs, why not learn new ones? People like them. Otherwise younger people (which could be the majority) May say what a bunch of boring old guys.

Getting people on the dance floor takes some cajoling sometimes. Sometimes the room just isn’t into dancing.
 
How long has the rest of the band been together? Do they have a procedure for decision making, is it democratic or is the BL dictator, or what? It sounds like the BL is largely accustomed to making decisions and have others follow them.

I'm all in favor of newer music - the seed of the idea for Six Cowards was when a girl approached a classic-rock trio I was in and asked, exasperated, if we didn't play anything less than 25 years old. So I eventually started a band where the whole repertoire is less than 25 years old. The thing about it is that it's risky - there are a lot of tried-and-true bar band songs out there we don't play. But in my opinion, there's another, more insidious risk, that local live music, at least of the cover band variety, is becoming irrelevant, aging bands playing aging music to aging crowds while the upcoming generation seeks its entertainment elsewhere. There are venues we can't play (or at least, won't get invited back to) because their crowds want GunsNRoses and Zeppelin and we're coming in with the Black Keys and Muse. But we get pleasantly surprised faces from younger patrons who stumble across us and say, "hey - this is MY playlist!"

So from that perspective, I'm sympathetic to your BL's interest in adding some newer tunes to the set lists. On the other hand, the most important thing is to know your audience, do what they love, and do it the best you can. If you have a set list that packs the dance floor, capitalize on it - "more like that!"
 
I'm finding that bands sort of settle into a permanent modus operandi after a certain length of time together. It can take a monster force of nature to break those habits, which usual relate to lax rehearsal and not really talking about the direction much except listening to the established BL. You are apparently learning what that all looks like for this group, which is not usually apparent until after a little time with a band. Probably wise to take on a hired gun mentality with this one.
Yeah, I tested the waters and found they don't want "all of me", so I'll just go with it and offer opinions when asked.
 
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Why not invite just the BL for a cup of coffee. This way the two of you can talk without "confrontation". If she turns you down, she just isn't interested in your opinion.
The lead singer is very private and pretty much keeps to herself. I have a really hard time getting a read off of her. She's not snobby about it, just not real accessible. I never saw her reply to my group response and nobody said anything at the gig except BL who continues to push the same version of what the band wants. I'm truly OK with keeping status quo if that's what everybody else really wants. But based on a few comments I hear here and there ("if we never play that song again I'm OK", "I agree, we should play more classic rock and less 'modern' stuff"), I'm not convinced that "we" all want to stay in this direction. My agenda is to make the band tighter - it's not about my preferences - there's enough songs we play that I really don't care for that I wouldn't be in the band if it was about that.
 
I agree with this except I hate when singers only Lear the songs they want. Then you are just their backing track. Not all are like that though.

Every band needs to learn new songs, why not learn new ones? People like them. Otherwise younger people (which could be the majority) May say what a bunch of boring old guys.

Getting people on the dance floor takes some cajoling sometimes. Sometimes the room just isn’t into dancing.
When you only have one person who can really carry lead, you just don't have a lot of choice on relying on the lead vox to make those decisions. If I could sing, I could bring in pretty much any song that fits and we'd do it. Unfortunately the few songs I can carry lead vox on are already being done by the lead vox and they weren't willing to transfer the duty. I'm fine with that - I sing leads only to give the real singer a break.

I have no problem with learning new songs and welcome them. Two thing bug me about trying to do current songs:
1.I'm just not seeing the response my BL thinks we get with them. Our audiences are just not that young (probably avg age of 35-45).
2. Really doesn't feel right to have a bunch of geezers trying to pull off teeny bopper stuff. Think of it this way: Think of a band that was really popular when you were 10. On your 15th birthday, your grandparents' peers form a tribute band to that group. You think that's gonna be something you want to see? Honestly?

You're right about "some rooms". One of our regular haunts (customers and venue) seems to like us, but most customers are not really there for the music.
 
Man, that's a lot of songs to not be rehearsing... have you ever recorded yourself live, and listened to the playback. If you do, invite the whole band to listen with you. Let me know, and I'll bring the refreshments, as I'd like to hear both.
 
When you only have one person who can really carry lead, you just don't have a lot of choice on relying on the lead vox to make those decisions. If I could sing, I could bring in pretty much any song that fits and we'd do it. Unfortunately the few songs I can carry lead vox on are already being done by the lead vox and they weren't willing to transfer the duty. I'm fine with that - I sing leads only to give the real singer a break.

I have no problem with learning new songs and welcome them. Two thing bug me about trying to do current songs:
1.I'm just not seeing the response my BL thinks we get with them. Our audiences are just not that young (probably avg age of 35-45).
2. Really doesn't feel right to have a bunch of geezers trying to pull off teeny bopper stuff. Think of it this way: Think of a band that was really popular when you were 10. On your 15th birthday, your grandparents' peers form a tribute band to that group. You think that's gonna be something you want to see? Honestly?

You're right about "some rooms". One of our regular haunts (customers and venue) seems to like us, but most customers are not really there for the music.

Well I don’t mean k-pop songs or the kinds of music 10 year olds like. That’s a ridiculous extreme example. I mean current and recent radio hits that have gotten tons of airplay that people will recognize. We do imagine dragons radioactive and counting stars by one republic and they go over great.

If people are not there for the music you need to be compelling.
 
How long has the rest of the band been together? Do they have a procedure for decision making, is it democratic or is the BL dictator, or what? It sounds like the BL is largely accustomed to making decisions and have others follow them.

I'm all in favor of newer music - the seed of the idea for Six Cowards was when a girl approached a classic-rock trio I was in and asked, exasperated, if we didn't play anything less than 25 years old. So I eventually started a band where the whole repertoire is less than 25 years old. The thing about it is that it's risky - there are a lot of tried-and-true bar band songs out there we don't play. But in my opinion, there's another, more insidious risk, that local live music, at least of the cover band variety, is becoming irrelevant, aging bands playing aging music to aging crowds while the upcoming generation seeks its entertainment elsewhere. There are venues we can't play (or at least, won't get invited back to) because their crowds want GunsNRoses and Zeppelin and we're coming in with the Black Keys and Muse. But we get pleasantly surprised faces from younger patrons who stumble across us and say, "hey - this is MY playlist!"

So from that perspective, I'm sympathetic to your BL's interest in adding some newer tunes to the set lists. On the other hand, the most important thing is to know your audience, do what they love, and do it the best you can. If you have a set list that packs the dance floor, capitalize on it - "more like that!"
I think they've been together about 2 years now (about 20 months before I joined). I'm was a full "voting member" on day one, but tossing out new ideas regarding play list hits deaf ears. They seem fine with my set list choices, but it's from songs in our playlist.

I'm just not seeing throngs of "young people" at any of our venues. I'd say we have about 25% of people in their 30s, 50% in their 40s and then 25% are older. We mostly play small time strip mall bars, that are mostly sports bars during the day. We're not playing night clubs or anywhere that young people hang out these days. These are places I would have hung out in when I was 25, but it's a different world.

I just need to get over my instinctive drive to help improve something. If I see a way to make something more efficient or successful, I speak up and try to do something about it. It's clear they are satisfied with mediocrity so I won't rock the boat. I'll just focus on what I can control and try to have fun.
Fine, just tell me what you want.
 
Reread your original post. It does make sense to weed out the weak songs. Shining on the older songs and a few new ones makes sense too because those are the ones you guys and the crowd know the best. New songs are good, if they are good. If a song you do sucks and gets a bad response just say so. Otherwise you’re stuck playing songs you hate like Kenny kravitz.

Or print your set lists if you guys do them and put an x or check beside each song depending on reception. After half a dozen gigs you’ll have an unbiased analytic.
 
If your goal is to play songs that folks will dance to maybe stick to that formula?
For ex, What if you made a list of the songs that get the best crowd reception & find similar songs?

Dancing crowds are great until the music stops, What has always work for me is arranging segues of a few similar tunes & create fun non-stop "Triple-plays" as we call them.
If you are going to do new stuff great but is it danceable?.. What if you learn a few and test market them?..

Your BL/Band would most likely be receptive to a success plan rather than a list of songs... My 2 cents!!
 
Man, that's a lot of songs to not be rehearsing... have you ever recorded yourself live, and listened to the playback. If you do, invite the whole band to listen with you. Let me know, and I'll bring the refreshments, as I'd like to hear both.
We're starting that. A couple of gigs, the sound guy has hooked up a hard drive to the mixer for the whole gig. I haven't heard any results from that. I do have a few videos that offer some proof of our mediocrity: "Oh, we can do that better"... And we only have a few videos. None of us has a camera that'll record an hour at a time (file size limits to about 15 minutes) and the one entourage person that is always there, is not interested on consistently manning a camera.

I'm getting the impression that this band doesn't really want to know the truth - they're just content to have drunks love us. The BL claims he is interested in looking for better gigs, events, casinos (HA!), weddings, more upscale bars, but we'll never be in that league with our current approach.

Our lead guitar player once confessed to me that "this is the worst band I've ever been in, but we get booked". He's the most recent addition before me: he knows the reality, has probably fought this battle, and experienced the passive aggressive smack down So he had just settled into the same groove I'll be trying to settle in. "Just tell me what you want and where to be." It's also probably why he doesn't participate in the load in/out of the PA and drums. I should probably follow suit on this too, but that's not in my nature and seems like a rather petty response to not "getting my way".

In fairness, we haven't been able to rehears all that much (just three times since I joined), so I'm hoping 2 months of weekly rehearsals will move us forward. If it doesn't, then I'll probably consider looking for another band to fill this cover band jones - or better yet, maybe my jazz project will finally get busy!