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bass choice for audition

Three Fenders and a Mike Lull? I don't think you CAN go wrong in this instance. Being a tribute band the image is going to be a part of the overall sell of yourself to this band, so as long as you're not showing up with a 7-string pointy-headstock neon green bass you're probably fine (nothing against 7-string pointy-headstock neon green basses but they probably wouldn't be visually appropriate for this gig).

I'd vote to bring two in a double bass gigbag: the Lull P4 with nickels for a good middle-of-the-road sound (not too much and not too little bite) and the '69 Fender with flats (for a warmer sound where appropriate). The nice thing about taking two basses is it shows you have options and that you're prepared (can change basses by choice for different tones or by necessity if a string breaks).

If only one...the '69.
 
Saw clapton last month in berlin, he's touring with Nathan East again.
So, Jazz.
There again, a P-bass with chromes is a solid rock instrument. Is the 69 too valuable? I'd consider that factor too.

Peace,
SoundSupport
 
The two players I can remember seeing most with Clapton over the few decades are Nathan East and Willie Weeks. Those are two phenomenal players with two different styles playing two different types of basses.

I suspect the bass you play doesn't matter much as long as you play the part well. I'd go with the bass that I was the most comfortable playing.
 
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I'd vote to bring two in a double bass gigbag: the Lull P4 with nickels for a good middle-of-the-road sound (not too much and not too little bite) and the '69 Fender with flats (for a warmer sound where appropriate). The nice thing about taking two basses is it shows you have options and that you're prepared.

Biiiiiiiiig +1 :thumbsup:

@buldog5151bass: put the shoe on the other foot for a moment. Imagine if *your* band was auditioning someone (say, a guitarist, for example). Wouldn't you be more impressed if the guitarist brought *two* guitars instead of just one? Especially if he said he brought two guitars because one of them sounds more appropriate for these songs and the other sounds more appropriate for those songs. And if he followed that comment with something like "but I'm totally open to suggestions from you guys as to which sounds best for a particular song", that would show open-mindedness and flexibility. :thumbsup:

Just food for thought! And good luck with the audition! :thumbsup:
 
Saw clapton last month in berlin, he's touring with Nathan East again.
So, Jazz.
There again, a P-bass with chromes is a solid rock instrument. Is the 69 too valuable? I'd consider that factor too.

Peace,
SoundSupport

I'll play any instrument. One guy I often play with gigs a '58 Strat and a '63 ES 335.
 
I am auditioning for a Clapton tribute band. Songs for audition include:

"Forever Man," "Sunshine of Your Love," "Have You Ever Loved a Woman," "Bad Love" & "I Shot The Sheriff."

I plan on bringing one bass to the audition. Here are my choices:

- 2001 Fender P with Chromes
- 1969 Fender P with Precision Flats
- Lull P4 with Nickel Low Riders
- 1976 Jazz (P neck for what it's worth) strung with worn Roto nickel Swing strings

Obviously the choices include a wide selection for tones. But which do you think would be best at nailing a tone that works?
If it's more Clapton Band than Cream then I'd try the Carl Radle route


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