JazznFunk
Supporting Member
I was taught a good portion of your tone on upright comes from how you pluck the note and to use the side of your finger not the tip like playing electric. I tried Rotosound flats and liked them but I decided to take them off my bass because it is a 66 P bass and the tension was high enough to concern me but playing them was not an issue. I often use T.I. flats and I have 2 string through body P basses one a 53 and one a Dusty Hill. On the 53 the tension seems much higher than on the Dusty Hill? go figure. A good string for you to try would be Fender Flats they are not quite as high tension as the Rotos
Your first sentence is mostly correct, and half of the equation. Using the side/length of your finger to help pull the tone out on upright is important, but the actual force to pull that note out comes from your whole arm (and shoulder.... and core) if you do it right. The rest of your tone on upright comes from your left hand technique as well. But yes, 'picking at' the string is a surefire way to have a milquetoast tone on upright. That being said, I tend to bring a bit of that technique over to electric as well in how I approach my right hand plucking. I don't pluck notes on electric with just the tips of my finger.... I get more of the pad and side of the finger into it as well.
I don't desire to have any strings on an electric, even my P-Bass, which sound or feel like an upright. I have an upright for that. My P-Bass wears light gauge Lakland Joe Osborn flats.... essentially GHS Precision Flats with a slightly different gauge winding.
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