+1 on the Ray Brown book. My only criticism is his minimal fingering suggestions. For this reason, Simandl is hard to beat, although I think the early exercises are a bit weird.
Simple suggestions:
-Use a proper fingering hand technique. Basically thumb on the back of the neck and 'claw' fingers. This is similar to the way most people hold a soda can.
-Forget your third finger. Think 1,2 and 4.
-Practice SLOWLY and concentrate on playing in tune and developing good tone. I recommend starting on the E string, Playing (1,2,4/F, F#,G) This would be Simandl half position. Move your 1st finger to the F# and go F#, G, G#. Then G,G#,A and check yourself against the open A. Do this on all strings up to the octave, checking open strings as you go. Normally, you will switch to the third finger to finger the octave note.
I find that practicing this slowly, saying the notes as they are played is a great way to learning to play in tune.
This book is the best one I've seen for sight reading:
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I do hope you will try to find a good teacher, even if you only take a few lessons. The DB is very different from electric bass in the physical approach, despite what many beginners think. If you develop good habits at the beginning, you will find the going much easier.
Welcome to the dark side. Enjoy the lifelong journey and don't hurt yourself.
