- Aug 25, 2004
- 939
- 1,337
- Disclosures
- Builder: Martin Keith Guitars
Another thumbs-up from me for basswood.
It can be wonderfully lightweight, and one of its biggest benefits is that it is extremely stable - it does not suffer from many of the dimensional change issues of other woods.
It has been used successfully in well-respected production guitars - almost all of the '90s Parker Fly guitars had basswood necks, and AFAIK many of the bodies were basswood also. As noted, many of the MTD imports use it for bodies with good results.
I have some sticks of basswood in my shop that are light, strong, and ring like a bell when struck - they are just lovely-sounding pieces of wood that are destined for neck cores in my composite wood/carbon necks.
Much like poplar (another great solidbody wood), it has suffered a bit in the marketing world because of its appearance. Under a solid color, or for a player who prioritizes sound over looks, it's a great choice.
Cheers!
Martin
It can be wonderfully lightweight, and one of its biggest benefits is that it is extremely stable - it does not suffer from many of the dimensional change issues of other woods.
It has been used successfully in well-respected production guitars - almost all of the '90s Parker Fly guitars had basswood necks, and AFAIK many of the bodies were basswood also. As noted, many of the MTD imports use it for bodies with good results.
I have some sticks of basswood in my shop that are light, strong, and ring like a bell when struck - they are just lovely-sounding pieces of wood that are destined for neck cores in my composite wood/carbon necks.
Much like poplar (another great solidbody wood), it has suffered a bit in the marketing world because of its appearance. Under a solid color, or for a player who prioritizes sound over looks, it's a great choice.
Cheers!
Martin